Category Archives: Monday Postings

Alexander Scriabin (1872–1915) on his 150th birthday, part I

Posted on February 14, 2022 by Norbert Müllemann

I admit that while typing the heading of this blog … Continue reading →

Posted in Monday Postings, Scriabin, Alexander | 3 Comments

“Latest news about Mozart’s piano sonata in A major, K. 331”

Posted on January 31, 2022 by Wolf-Dieter Seiffert

“All good things come in threes” – this phrase came … Continue reading →

Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext | Tagged | 4 Comments

A concerto for a “trombone god” – finally, Ferdinand David’s Concertino op. 4 in Henle Urtext

Posted on January 17, 2022 by Dominik Rahmer

The trombone is an instrument with a venerable though also … Continue reading →

Posted in David, Ferdinand, Monday Postings, trombone + orchestra | Tagged , | Leave a comment

Christmas Blog Post

Posted on December 20, 2021 by publisher

The Covid pandemic is, alas, still controlling large portions of … Continue reading →

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Schumann’s metronome markings in his “Kinderszenen”. Opportunity, not nuisance.

Posted on December 6, 2021 by Wolf-Dieter Seiffert

“You cannot define tempo. Tempo has no existence of its … Continue reading →

Posted in Monday Postings, piano solo, Schumann, Robert, tempo | Tagged | 3 Comments

An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?

Posted on November 22, 2021 by Norbert Müllemann

The question posed in the title of my blog post … Continue reading →

Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin | Tagged , | 1 Comment

Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15

Posted on November 8, 2021 by Peter Jost

Fauré is known for his refined tonal language, with the … Continue reading →

Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext | Tagged | 1 Comment

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Posted on October 25, 2021 by Annette Oppermann

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading →

Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings | Tagged | 1 Comment

Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44

Posted on October 11, 2021 by Dominik Rahmer

In my last blog post I already reported on our … Continue reading →

Posted in Brahms, Johannes, Dvořák, Antonín, genesis, Monday Postings, Mozart, Wolfgang Amadeus, Wind Serenade op. 44 (Dvořák), winds | Tagged , , | 1 Comment

Ignaz Pleyel – no newcomer to the Henle catalogue

Posted on September 27, 2021 by Norbert Gertsch

It’s one of the curious twists and turns in music … Continue reading →

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