Category Archives: Monday Postings

Composers on the waiting list – or: We’d really like to do them, but are (still) not allowed to do so

Posted on February 4, 2013 by Peter Jost

‘Why doesn’t Henle have the famous piano trio by Shostakovich?’ … Continue reading →

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Brahms’s ‘Hungarian Dances’ – new finds in old sources

Posted on January 21, 2013 by Dominik Rahmer

In 2011 the Brahms researcher Michael Struck made a striking … Continue reading →

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How much verbal text can music tolerate?

Posted on January 7, 2013 by Annette Oppermann

A serious scholarly book publication can be recognized by the … Continue reading →

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‘Silent Night’ revisited

Posted on December 24, 2012 by Norbert Müllemann

A blog entry on 24 December – how could it … Continue reading →

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Gong, tamtam or cymbal crash? – Gershwin’s ‘Concerto in F’ as work in progress

Posted on December 10, 2012 by Norbert Gertsch

You know George Gershwin’s Piano Concerto and the famous place … Continue reading →

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A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13

Posted on November 26, 2012 by Peter Jost

Autograph manuscripts of musical works have an aura all their … Continue reading →

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Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?

Posted on November 12, 2012 by Wolf-Dieter Seiffert

Notice: There’s a prize question at the end of this … Continue reading →

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Setting, version, arrangement – how far may Urtext go?

Posted on October 30, 2012 by Dominik Rahmer

It is part and parcel of the idea of a … Continue reading →

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What’s the shelf life of Urtext? Revising at Henle publishers

Posted on October 15, 2012 by Annette Oppermann

When you look carefully at our recent publications you’ll also … Continue reading →

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Too much access! – Isaac Albéniz revises his Iberia cycle

Posted on October 1, 2012 by Norbert Gertsch

Editors of sheet music are not alone in suffering from … Continue reading →

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