Tag Archives: Mozart

Further new findings on the autograph of Mozart’s Piano Sonata in A major K. 331

Regular readers of the Henle blog will recollect: My last … Continue reading

Posted in autograph, General, Monday Postings, Mozart, Wolfang Amadeus, notation, piano solo, Piano Sonata K. 331 (W.A. Mozart) | Tagged , , | Leave a comment

The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331

You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), revision, Urtext | Tagged , , | 7 Comments

On a terribly wrong dynamic marking in the first movement of K. 499

In my last blog posting I reported on my current, … Continue reading

Posted in autograph, dynamics, first edition, Hagen-Quartet, Monday Postings, Mozart, Wolfang Amadeus, string quartet, String Quartet K. 499 (W.A. Mozart) | Tagged , , | Leave a comment

“It’s all so wonderful!” On the new edition of Mozart’s string quartets

A few weeks ago I began editorial work on a … Continue reading

Posted in Alban Berg Quartet, dynamics, G. Henle Publishers, Monday Postings, Mozart, Wolfang Amadeus, string quartet, String Quartet K. 589 (W.A. Mozart) | Tagged , | 2 Comments

Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)

That Henle is a Mozart publisher should not come as … Continue reading

Posted in Andreas Staier, autograph, first edition, Flute Rondo (F.X.W. Mozart), G. Henle Publishers, Monday Postings, Mozart, Franz Xaver Wolfgang, piano + flute, piano solo, Urtext | Tagged , , , , , , , , , , , , , , , | Leave a comment

A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano

In the year 1821 three distinguished personalities met in Weimar: … Continue reading

Posted in autograph, Fantasy K. 396(385f) (W.A. Mozart), Monday Postings, Mozart, Wolfang Amadeus, Noah Bendix-Balgley, piano + violin, Robert D. Levin | Tagged , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452

The autograph of Mozart’s piano quintet for piano and four … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfang Amadeus, notation, versions, Wind Quintet K. 452 (W.A. Mozart) | Tagged , | 1 Comment

Gratis, but not for nothing – the download of the Lalo cello concerto

Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading

Posted in G. Henle Publishers, Heinrich Schiff, Lalo, Édouard, Monday Postings, piano + violoncello, variant reading, Violoncello Concerto (Lalo) | Tagged , , , , , , | Leave a comment

Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?

Notice: There’s a prize question at the end of this … Continue reading

Posted in Monday Postings, notation, piano trio | Tagged , , , , , | Leave a comment