Tag Archives: Mozart

The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331

You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), revision, Urtext | Tagged , , | 7 Comments

On a terribly wrong dynamic marking in the first movement of K. 499

In my last blog posting I reported on my current, … Continue reading

Posted in autograph, dynamics, first edition, Hagen-Quartet, Monday Postings, Mozart, Wolfang Amadeus, string quartet, String Quartet K. 499 (W.A. Mozart) | Tagged , , | Leave a comment

“It’s all so wonderful!” On the new edition of Mozart’s string quartets

A few weeks ago I began editorial work on a … Continue reading

Posted in Alban Berg Quartet, dynamics, G. Henle Publishers, Monday Postings, Mozart, Wolfang Amadeus, string quartet, String Quartet K. 589 (W.A. Mozart) | Tagged , | 2 Comments

Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)

That Henle is a Mozart publisher should not come as … Continue reading

Posted in Andreas Staier, autograph, first edition, Flute Rondo (F.X.W. Mozart), G. Henle Publishers, Monday Postings, Mozart, Franz Xaver Wolfgang, piano + flute, piano solo, Urtext | Tagged , , , , , , , , , , , , , , , | Leave a comment

A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano

In the year 1821 three distinguished personalities met in Weimar: … Continue reading

Posted in autograph, Fantasy K. 396(385f) (W.A. Mozart), Monday Postings, Mozart, Wolfang Amadeus, Noah Bendix-Balgley, piano + violin, Robert D. Levin | Tagged , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452

The autograph of Mozart’s piano quintet for piano and four … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfang Amadeus, notation, versions, Wind Quintet K. 452 (W.A. Mozart) | Tagged , | 1 Comment

Gratis, but not for nothing – the download of the Lalo cello concerto

Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading

Posted in G. Henle Publishers, Heinrich Schiff, Lalo, Édouard, Monday Postings, piano + violoncello, variant reading, Violoncello Concerto (Lalo) | Tagged , , , , , , | Leave a comment

Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?

Notice: There’s a prize question at the end of this … Continue reading

Posted in Monday Postings, notation, piano trio | Tagged , , , , , | Leave a comment

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment