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- Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
- More or less – Bartók’s well-regulated markings of his piano works
- The première of Sergei Rachmaninoff’s 2nd piano sonata op. 36
- The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne
- Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
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Tag Archives: Satie
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
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The crux of sharp or flat: Just enough cautionary accidentals? or are extras o.k., too?
Our editorial department is always receiving queries from users requesting … Continue reading
Going down, coming up or on the up and up? – stumbling block in Erik Satie’s ‘2ème Gymnopédie’
At first sight Urtext editions of Satie’s piano music do … Continue reading
Posted in autograph, first edition, Gymnopédie (Satie), Monday Postings, piano solo, Satie, Erik, Urtext
Tagged correction, Gymnopédie, Satie
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