Search
Subscribe2
-
Recent Posts
- Between distance and admiration – Satie and Ravel
- Rostropovich and Atovmyan – the two midwives of Prokofiev’s Cello Sonata op. 119
- A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
- Debussy and Ravel – Aspects of a difficult relationship
- Schubert’s “Serenade” on its way through Europe
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak dynamics Fauré fingering first edition genesis Haydn horn Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Tag Archives: Satie
Between distance and admiration – Satie and Ravel
Whilst this year the classical music world is undoubtedly focussed … Continue reading
Posted in dedication, Gymnopédie (Satie), Monday Postings, Pavane (Ravel), piano solo, Ravel, Maurice, Satie, Erik
Tagged dedication, Ravel, relationship, Satie
Leave a comment
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
3 Comments
The crux of sharp or flat: Just enough cautionary accidentals? or are extras o.k., too?
Our editorial department is always receiving queries from users requesting … Continue reading
Going down, coming up or on the up and up? – stumbling block in Erik Satie’s ‘2ème Gymnopédie’
At first sight Urtext editions of Satie’s piano music do … Continue reading
Posted in autograph, first edition, Gymnopédie (Satie), Monday Postings, piano solo, Satie, Erik, Urtext
Tagged correction, Gymnopédie, Satie
Leave a comment