Author Archives: Annette Oppermann

The other type of sources: Letters about Max Bruch’s “Kol Nidrei”

An Urtext edition – and not just only from Henle … Continue reading

Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello | Tagged , | 1 Comment

Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25

Considering that specifically for 19th-century works the first edition is … Continue reading

Posted in Monday Postings, Schumann, Robert | Tagged , , | 2 Comments

A tear for or from Rossini?

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading

Posted in autograph, Instrumentation, Monday Postings, piano + double bass, Rossini, Gioacchino, Tobias Glöckler, Une larme (Rossini) | Tagged , , | Leave a comment

More or less – Bartók’s well-regulated markings of his piano works

To continue my last blog with an overview of our … Continue reading

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | Leave a comment

What?! Is it already Christmas now? New Bartók titles at Henle

Of course not, Christmas is out of the question only … Continue reading

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The many footnotes of Rosamunde

All good things come in threes – this is also … Continue reading

Posted in dynamics, first edition, Monday Postings, Rosamunde quartet D 804 (Schubert), Schubert, Franz, string quartet | Tagged , , | Leave a comment

‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions

Are you also one of those manuscript hunters on the … Continue reading

Posted in articulation, autograph, Brahms, Johannes, Monday Postings, Urtext, violin + orchestra, Violin Concerto (Brahms) | Tagged , , , | 4 Comments

Small error, large impact! About a repeat sign wandering around “In the Mists”

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading

Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext | Tagged , , | 2 Comments

A new star in the Henle firmament – Béla Bartók Complete Critical Edition

After nearly three decades the time was ripe for a … Continue reading

Posted in Bartók, Béla, Monday Postings, notation, piano solo, transcription | Tagged , | 1 Comment

Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

To the question of how many cello concertos Joseph Haydn … Continue reading

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | Leave a comment