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- Rostropovich and Atovmyan – the two midwives of Prokofiev’s Cello Sonata op. 119
- A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
- Debussy and Ravel – Aspects of a difficult relationship
- Schubert’s “Serenade” on its way through Europe
- “It ended up being quite substantial” – on Sergei Prokofiev’s 2nd violin sonata op. 94a
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Author Archives: Annette Oppermann
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
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The agony of choice – lieder by Richard Strauss
Incredible, but true: unannounced so far in this blog is … Continue reading
Beethoven love letters? A contribution to perhaps his oeuvre’s smallest work group
In Beethoven’s just as extensive as impressive chamber music oeuvre, … Continue reading
Genuine Beethoven – or not quite? Questions of authenticity with Beethoven
The Beethoven Year is slowly coming to a close, almost … Continue reading
Posted in Monday Postings
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More than “Ode to Joy” – the whole range of Beethoven’s vocal work
Although the melody of the 9th Symphony’s choral movement, “Freude … Continue reading
“Beethoven Complete” yesterday and today – from the beginnings of the Beethoven complete edition(s) in the 19th century
Only what we have as whole, do we truly have … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, Sources
Tagged Beethoven, Breitkopf & Härtel, compete edition, Dunst, Haslinger, Zulehner
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The other type of sources: Letters about Max Bruch’s “Kol Nidrei”
An Urtext edition – and not just only from Henle … Continue reading
Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello
Tagged Bruch, Kol Nidrei
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Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25
Considering that specifically for 19th-century works the first edition is … Continue reading