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- Genuine Beethoven – or not quite? Questions of authenticity with Beethoven
- Beethoven’s change of dedication – a small search for motives
- Beethoven – creator of concert overtures?
- Beethoven’s easy piano sonatas. BEETHOVEN’S EASY PIANO SONATAS???
- On the way to the Romantic orchestra – the trombone in Beethoven’s symphonies
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Author Archives: Peter Jost
Beethoven – creator of concert overtures?
Beethoven as the great innovator of forms and genres generated … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, orchestra
Tagged Beethoven, ouverture
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“The Hammerklavier Sonata opened the door for me” – Interview with Ian Fountain on Beethoven’s piano music
Today we’d like to continue our series of musicians’ views … Continue reading
Posted in Beethoven, Ludwig van, Ian Fountain, Monday Postings
Tagged Beethoven, Ian Fountain
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“Beethoven Complete” – part 2: from the Old to the New Complete Edition
A few weeks ago my colleague Annette Oppermann reported on … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, Sources
Tagged AGA, compete edition, NGA
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Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109
There is always a risk in producing an engraved plate … Continue reading
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading
Debussy in Urtext – Part 6: Interview with Pascal Rogé
In the final part of our little series we want … Continue reading
Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”
Needless to say, every editor of an Urtext edition wishes … Continue reading
Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext
Tagged Debussy, Masques, sources
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Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
It goes without saying that the focus would be on … Continue reading
Posted in Debussy, Claude, Monday Postings, variant reading
Tagged Debussy, variant reading
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Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading