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Author Archives: Peter Jost
Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109
There is always a risk in producing an engraved plate … Continue reading
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading
Debussy in Urtext – Part 6: Interview with Pascal Rogé
In the final part of our little series we want … Continue reading
Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”
Needless to say, every editor of an Urtext edition wishes … Continue reading
Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext
Tagged Debussy, Masques, sources
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Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
It goes without saying that the focus would be on … Continue reading
Posted in Debussy, Claude, Monday Postings, variant reading
Tagged Debussy, variant reading
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Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading
Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading
Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext
Tagged Debussy, urtext
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Debussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading
Viva la música española – Spanish music in Henle Urtext Editions
Emerging in the 19th century in nearly all of Europe … Continue reading