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- Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
- Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
- Ignaz Pleyel – no newcomer to the Henle catalogue
- G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2
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Author Archives: Peter Jost
How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
“My fingering may inspire to play in the right style” – Interview with Pascal Rogé
To celebrate the French pianist Pascal Rogé’s 70th birthday on … Continue reading
Camille Saint-Saëns – a portrait for the 100th anniversary of his death
Whereas in 2020 the music world’s focus was on Beethoven’s … Continue reading
Abandoned, alas! – Beethoven’s unfinished works
In the run-up to the Beethoven anniversary year, I kept … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, sketches
Tagged Beethoven, unfinished
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Beethoven – creator of concert overtures?
Beethoven as the great innovator of forms and genres generated … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, orchestra
Tagged Beethoven, ouverture
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“The Hammerklavier Sonata opened the door for me” – Interview with Ian Fountain on Beethoven’s piano music
Today we’d like to continue our series of musicians’ views … Continue reading
Posted in Beethoven, Ludwig van, Ian Fountain, Monday Postings
Tagged Beethoven, Ian Fountain
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“Beethoven Complete” – part 2: from the Old to the New Complete Edition
A few weeks ago my colleague Annette Oppermann reported on … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, Sources
Tagged AGA, compete edition, NGA
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Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109
There is always a risk in producing an engraved plate … Continue reading
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading