Category Archives: Composers

Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109

There is always a risk in producing an engraved plate … Continue reading

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Dont worry, be happy – the first critical Urtext edition of etudes by Jakob Dont

Every violinist is most likely acquainted with them from violin … Continue reading

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An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170

In a few weeks a long-cherished dream of mine will … Continue reading

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Froberger – retrospectively and prospectively

How time flies! – this hardly original realisation came to … Continue reading

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What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37

Anyone who compares the edition currently on the market of … Continue reading

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The other type of sources: Letters about Max Bruch’s “Kol Nidrei”

An Urtext edition – and not just only from Henle … Continue reading

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Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

We report as a rule in our blog posts on … Continue reading

Posted in Fantasy Pieces op. 73 (Schumann), piano + clarinet, Schumann, Robert, variant reading | Tagged , | 4 Comments

“Wolfgang Amadeus Stadler”, Allegro for piano trio

  It is extremely rare for us to be able … Continue reading

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Schubert on a Bach trip? A call for help regarding the Arpeggione theme

The Henle blogging community will, we hope, not be disappointed … Continue reading

Posted in Arpeggione Sonata (Schubert), Bach, Johann Sebastian, Fugue BWV 904 (Bach), Monday Postings, Schubert, Franz | Tagged , , | 2 Comments

Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”

To this day, the success of a new stage work … Continue reading

Posted in Augustin Hadelich, Bizet, Georges, Carmen Fantasy (Sarasate), Ingolf Turban, Monday Postings, piano + violin, Saraste, Pablo de, violin + orchestra | Tagged , , | Leave a comment