Category Archives: Composers

The other type of sources: Letters about Max Bruch’s “Kol Nidrei”

An Urtext edition – and not just only from Henle … Continue reading

Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello | Tagged , | Leave a comment

Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

We report as a rule in our blog posts on … Continue reading

Posted in Fantasy Pieces op. 73 (Schumann), piano + clarinet, Schumann, Robert, variant reading | Tagged , | 1 Comment

“Wolfgang Amadeus Stadler”, Allegro for piano trio

  It is extremely rare for us to be able … Continue reading

Posted in Monday Postings, Mozart, Wolfgang Amadeus, Robert D. Levin | Tagged , | Leave a comment

Schubert on a Bach trip? A call for help regarding the Arpeggione theme

The Henle blogging community will, we hope, not be disappointed … Continue reading

Posted in Arpeggione Sonata (Schubert), Bach, Johann Sebastian, Fugue BWV 904 (Bach), Monday Postings, Schubert, Franz | Tagged , , | 2 Comments

Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”

To this day, the success of a new stage work … Continue reading

Posted in Augustin Hadelich, Bizet, Georges, Carmen Fantasy (Sarasate), Ingolf Turban, Monday Postings, piano + violin, Saraste, Pablo de, violin + orchestra | Tagged , , | Leave a comment

Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25

Considering that specifically for 19th-century works the first edition is … Continue reading

Posted in Monday Postings, Schumann, Robert | Tagged , , | 2 Comments

Version alert! Or: Did Brahms ever revise his Horn Trio?

A few days ago a customer enquiry momentarily gave me … Continue reading

Posted in Brahms, Johannes, horn, Monday Postings, revision, versions | Tagged , , | 1 Comment

Ten at a stroke – Scriabin’s piano sonatas in one volume

Many a Henle fan familiar with our catalog will know … Continue reading

Posted in G. Henle Publishers, Monday Postings, piano solo, Piano Sonatas (Scriabin), Scriabin, Alexander | Tagged | Leave a comment

An unaccountable (?) fermata notation in Mozart’s string quartet KV 428

That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading

Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , | 7 Comments

40 or 42? Rodolphe Kreutzer’s Etudes as Urtext edition

There could not be a bigger difference: When you are … Continue reading

Posted in 40 Etudes ou Caprices (Kreutzer), Kreutzer, Rodolphe, Monday Postings, Urtext, Violin | Tagged , | 2 Comments