Category Archives: Elgar, Edward

Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck

Posted on February 12, 2024 by Norbert Müllemann

The start of 2024 is a special moment for the … Continue reading →

Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading | Tagged , , , , , , | Leave a comment

An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?

Posted on November 22, 2021 by Norbert Müllemann

The question posed in the title of my blog post … Continue reading →

Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin | Tagged , | 1 Comment

From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata

Posted on October 15, 2018 by Norbert Müllemann

Many Urtext editions and their sources cross the desk of … Continue reading →

Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar) | Tagged , | 2 Comments

Attention to small details: Elgar’s notation as expression

Posted on April 15, 2013 by guest

Preparing a new edition of a work that has been … Continue reading →

Posted in autograph, Elgar, Edward, Monday Postings, notation, piano + violin, piano + violoncello, piano solo, Salut d'amour op. 12 (Elgar) | Tagged , | Leave a comment