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Reger, Max

Category Archives: Reger, Max

A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?

Posted on June 13, 2016 by Wolf-Dieter Seiffert

Today, a brief but we hope all the more valuable … Continue reading →

Posted in first edition, Monday Postings, Reger, Max, Three Suites op. 131c for Violoncello solo (Reger), Urtext, violoncello | 2 Comments

Does it work or doesn’t it? About page turns in the music

Posted on June 8, 2015 by Annette Oppermann

Haven’t you, too, sometimes wondered in a concert why the … Continue reading →

Posted in Bach, Johann Sebastian, Monday Postings, Reger, Max, Schubert, Franz | Tagged fold out, page turns | 2 Comments

Totally, seriously – clearing it out is part of it!

Posted on April 29, 2013 by Annette Oppermann

Any of you who not only had a hearty laugh … Continue reading →

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged Reger, urtext | Leave a comment

Spring Cleaning – new setup guidelines at the Henle house

Posted on April 1, 2013 by publisher

You ought to underline today’s date in the calendar in … Continue reading →

Posted in G. Henle Publishers, Monday Postings, notation, Reger, Max, Violin | Tagged notation, parts, Reger | 3 Comments
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