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piano + viola

Category Archives: piano + viola

The melancholy horn – a short excursion into the monumental realm of Russian music

Posted on March 16, 2015 by Dominik Rahmer

The repertoire of the G. Henle publishing house is traditionally … Continue reading →

Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext | Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola | Leave a comment

Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)

Posted on May 28, 2012 by Wolf-Dieter Seiffert

Tabea Zimmermann, the fabulous violist, writes:

Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz | Tagged accent, Arpeggione, Schubert, syncopated | Leave a comment

Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.

Posted on January 9, 2012 by Norbert Gertsch

Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading →

Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister) | Tagged concerto, Hoffmeister, variants, viola | 2 Comments
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