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- From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata
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Category Archives: Performers
Debussy in Urtext – Part 6: Interview with Pascal Rogé
In the final part of our little series we want … Continue reading
A tear for or from Rossini?
November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading
Johann Nepomuk Hummel’s Potpourri op. 94 for Viola and Orchestra – for your kind attention!
To my great joy, this year and last year the … Continue reading
Anton Webern: Now also “in blue”!
We are always welcoming new composers to our Henle catalogue. … Continue reading
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
“… more or less at the most extreme limit of what can be achieved on the piano”: Busoni arranges Bach
The second edition naming the two composers, Bach · Busoni, … Continue reading
The Trill of Doom – The pianist András Schiff’s revelatory study of Schubert’s final sonata
By guest author Alex Ross[1] “What other work is so … Continue reading