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Marc-André Hamelin

Category Archives: Marc-André Hamelin

At the pinnacle of virtuosity

Posted on September 8, 2025 by Andreas Pernpeintner

“Alkan? Lots of notes!” – That’s what you hear when … Continue reading →

Posted in Alkan, Charles Valentin, Fingering, Marc-André Hamelin, Monday Postings, piano solo, Vincenzo Maltempo | Tagged Alkan, Etude, fingering, Hamlin, Maltempo, piano music, virtuosity | Leave a comment

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged dynamics, inscriptions, Liszt, notation, source | Leave a comment

Listeners are also only human

Posted on March 31, 2014 by Wolf-Dieter Seiffert

Observations on the necessity of body language in piano playing … Continue reading →

Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge | Tagged Beethoven, body language, Hungarian Rhapsody, interpretation, Liszt, piano, piano player, piano sonata | Leave a comment
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