Category Archives: Performers

Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”

Posted on March 18, 2019 by Peter Jost

To this day, the success of a new stage work … Continue reading →

Posted in Augustin Hadelich, Bizet, Georges, Carmen Fantasy (Sarasate), Ingolf Turban, Monday Postings, piano + violin, Saraste, Pablo de, violin + orchestra | Tagged , , | 3 Comments

Debussy in Urtext – Part 6: Interview with Pascal Rogé

Posted on November 26, 2018 by Peter Jost

In the final part of our little series we want … Continue reading →

Posted in Debussy, Claude, Pascal Rogé, piano solo | Tagged , | Leave a comment

A tear for or from Rossini?

Posted on November 12, 2018 by Annette Oppermann

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading →

Posted in autograph, Instrumentation, Monday Postings, piano + double bass, Rossini, Gioacchino, Tobias Glöckler, Une larme (Rossini) | Tagged , , | Leave a comment

Johann Nepomuk Hummel’s Potpourri op. 94 for Viola and Orchestra – for your kind attention!

Posted on September 3, 2018 by Norbert Gertsch

To my great joy, this year and last year the … Continue reading →

Posted in Antoine Tamestit, Hummel, Johann Nepomuk, Potpourri op. 94 (Hummel), Tabea Zimmermann | Leave a comment

More or less – Bartók’s well-regulated markings of his piano works

Posted on July 2, 2018 by Annette Oppermann

To continue my last blog with an overview of our … Continue reading →

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | 1 Comment

Non-stop “lombardic” rhythm? On a minute text problem in Mozart’s d-minor String Quartet K. 421

Posted on July 3, 2017 by Wolf-Dieter Seiffert

The exceptionally lighthearted D-major Trio of the Menuetto in Mozart’s … Continue reading →

Posted in Jerusalem String Quartet, Juilliard Quartet, Monday Postings, Mozart, Wolfgang Amadeus, rhythm, string quartet, String Quartet K. 421 (W.A. Mozart) | Tagged , , | 5 Comments

Editions also have their histories. The revision of César Franck’s violin sonata

Posted on November 28, 2016 by Peter Jost

The question of why from time to time editions in … Continue reading →

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged , , | Leave a comment

Anton Webern: Now also “in blue”!

Posted on July 25, 2016 by Norbert Müllemann

We are always welcoming new composers to our Henle catalogue. … Continue reading →

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

Posted on June 27, 2016 by Annette Oppermann

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading →

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

“… more or less at the most extreme limit of what can be achieved on the piano”: Busoni arranges Bach

Posted on May 16, 2016 by Norbert Müllemann

The second edition naming the two composers, Bach · Busoni, … Continue reading →

Posted in Bach, Johann Sebastian, Busoni, Ferruccio, Chorale Preludes (Johann Sebastian Bach), Monday Postings, piano solo, transcription, variant reading, Vladimir Horowitz | Tagged | 2 Comments