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- Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
- Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
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- G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2
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Category Archives: Robert D. Levin
A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano
In the year 1821 three distinguished personalities met in Weimar: … Continue reading