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- An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170
- Froberger – retrospectively and prospectively
- What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
- The other type of sources: Letters about Max Bruch’s “Kol Nidrei”
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Category Archives: autograph
An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170
In a few weeks a long-cherished dream of mine will … Continue reading
A tear for or from Rossini?
November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading
The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne
What a liberating, even redemptive impact that the unexpected major … Continue reading
Posted in autograph, Chopin, Frédéric, copy, Monday Postings, piano solo
Tagged Chopin; Nocturne in c sharp minor
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Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview
Editing a Beethoven work solely on the basis of a … Continue reading
Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext
Tagged Beethoven, Piano Sonatas, sources
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New editions for the clarinet – Brahms and Gade
The clarinet was again featured in our recent editions of … Continue reading
Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet
Tagged Brahms, clarinet, Gade
6 Comments
“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio from the String Quartet K. 465/iii
When the composer’s autograph manuscript of a music work is … Continue reading
‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions
Are you also one of those manuscript hunters on the … Continue reading
B(e) sharp – what would you play in Mozart’s piano variations K. 265?
Mozart over and over again: In the last blog two … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo
Tagged accidentals, Mozart, piano variations, sharp
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Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas
It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading