Category Archives: first edition

Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck

The start of 2024 is a special moment for the … Continue reading

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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major

At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading

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A difficult case: Chopin’s b-minor sonata op. 58 in Urtext

Frédéric Chopin’s final piano sonata op. 58 is full of … Continue reading

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On the first version of Verdi’s string quartet – interview with Anselm Gerhard

Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading

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Bartók’s String Quartets: from the score to the individual parts

A quintessential feature of the Henle Urtext editions is the … Continue reading

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“An expression of his deeply shaken soul” – Felix Mendelssohn Bartholdy’s String Quartet in F minor on the 175th anniversary of his death

Our Henle blog this year has largely dealt with two … Continue reading

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An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?

The question posed in the title of my blog post … Continue reading

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“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44

Even though recently the focus of attention owing to their … Continue reading

Posted in autograph, Dvořák, Antonín, first edition, Instrumentation, Monday Postings, Wind Serenade op. 44 (Dvořák) | Tagged , , | 2 Comments

‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81

The piano quintet is, so to speak, in the “super … Continue reading

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“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Occasionally in the edition business there is an insoluble conflict … Continue reading

Posted in autograph, first edition, Mendelssohn Bartholdy, Felix, Monday Postings, piano trio, Trio c minor op. 66 (Mendelssohn), Urtext | Tagged , | Leave a comment