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Category Archives: Subject
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2
Franz Schubert‘s piano music is almost an infinitely magical wonderland. … Continue reading
Posted in harmonics, piano solo, Schubert, Franz, variant reading
Tagged A-flat-major Impromptu D 935, trill
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Bach-Busoni – a successful Henle series with sequels
Another Bach-Busoni edition recently came on the music market as … Continue reading
Posted in arrangement, Bach, Johann Sebastian, Busoni, Ferruccio, Toccata D minor BWV 565
Tagged Bach, Busoni
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How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
“My fingering may inspire to play in the right style” – Interview with Pascal Rogé
To celebrate the French pianist Pascal Rogé’s 70th birthday on … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
A fresh look at Bach’s piano partitas
Many readers (and pianists!) will already have noticed that we … Continue reading
Posted in Bach, Johann Sebastian, Monday Postings, piano solo, revision, Six Partitas BWV 825-830 (J.S. Bach)
Tagged Bach, partitas, revision
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Beethoven in the “home office” – Composing in the “truly admirable confusion”
Beethoven Year 2020 is coming to an end, and there … Continue reading