Category Archives: Subject

An ambiguous passage in Brahms’s Vier ernste Gesänge op. 121

A guest contribution by Johannes Behr from the Johannes Brahms … Continue reading

Posted in Brahms, Johannes, rhythm | Tagged | 2 Comments

“Latest news about Mozart’s piano sonata in A major, K. 331”

“All good things come in threes” – this phrase came … Continue reading

Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext | Tagged | 1 Comment

Schumann’s metronome markings in his “Kinderszenen”. Opportunity, not nuisance.

“You cannot define tempo. Tempo has no existence of its … Continue reading

Posted in Monday Postings, piano solo, Schumann, Robert, tempo | Tagged | 3 Comments

An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?

The question posed in the title of my blog post … Continue reading

Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin | Tagged , | 1 Comment

Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15

Fauré is known for his refined tonal language, with the … Continue reading

Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext | Tagged | 1 Comment

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading

Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings | Tagged | 1 Comment

Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44

In my last blog post I already reported on our … Continue reading

Posted in Brahms, Johannes, Dvořák, Antonín, genesis, Monday Postings, Mozart, Wolfgang Amadeus, Wind Serenade op. 44 (Dvořák), winds | Tagged , , | 1 Comment

G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2

Franz Schubert‘s piano music is almost an infinitely magical wonderland. … Continue reading

Posted in harmonics, piano solo, Schubert, Franz, variant reading | Tagged , | 3 Comments

Bach-Busoni – a successful Henle series with sequels

Another Bach-Busoni edition recently came on the music market as … Continue reading

Posted in arrangement, Bach, Johann Sebastian, Busoni, Ferruccio, Toccata D minor BWV 565 | Tagged , | Leave a comment

How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux

When a composer decides against publishing one of his works … Continue reading

Posted in Monday Postings, Saint-Saëns, Camille, Urtext | Tagged | 1 Comment