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Category Archives: Subject
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73
We report as a rule in our blog posts on … Continue reading
The Henle Library App – an update!
In February 2016, over three years ago, we launched the … Continue reading
Version alert! Or: Did Brahms ever revise his Horn Trio?
A few days ago a customer enquiry momentarily gave me … Continue reading
Posted in Brahms, Johannes, horn, Monday Postings, revision, versions
Tagged Brahms, horn, versions
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Ten at a stroke – Scriabin’s piano sonatas in one volume
Many a Henle fan familiar with our catalog will know … Continue reading
An unaccountable (?) fermata notation in Mozart’s string quartet K. 428
That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading
Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet
Tagged KV 428, Mozart
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40 or 42? Rodolphe Kreutzer’s Etudes as Urtext edition
There could not be a bigger difference: When you are … Continue reading
Posted in 40 Etudes ou Caprices (Kreutzer), Kreutzer, Rodolphe, Monday Postings, Urtext, Violin
Tagged Kreutzer, violin
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A tear for or from Rossini?
November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading
Rachmaninoff revises Rachmaninoff. On the two versions of the Second Piano Sonata op. 36
In my last blog posting I went into the genesis … Continue reading
From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata
Many Urtext editions and their sources cross the desk of … Continue reading
Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar)
Tagged Elgar, Violin Sonata
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