Search
Subscribe2
-
Recent Posts
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Tags
accent accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak facsimile Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation parts piano piano sonata Préludes Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann Scriabin string quartet urtext variants variations versions viola
Category Archives: genesis
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
1 Comment
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
Beethoven in the “home office” – Composing in the “truly admirable confusion”
Beethoven Year 2020 is coming to an end, and there … Continue reading
From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata
Many Urtext editions and their sources cross the desk of … Continue reading
Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar)
Tagged Elgar, Violin Sonata
2 Comments
Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2
In the first part of my blog on the famous … Continue reading
Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”
Looking at the topics of the by now more than … Continue reading
‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?
As noted in the Preface to the Henle edition of … Continue reading