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Category Archives: genesis
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
1 Comment
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
Beethoven in the “home office” – Composing in the “truly admirable confusion”
Beethoven Year 2020 is coming to an end, and there … Continue reading
From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata
Many Urtext editions and their sources cross the desk of … Continue reading
Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar)
Tagged Elgar, Violin Sonata
2 Comments
Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2
In the first part of my blog on the famous … Continue reading
Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”
Looking at the topics of the by now more than … Continue reading
‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?
As noted in the Preface to the Henle edition of … Continue reading