Category Archives: genesis

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Posted on October 25, 2021 by Annette Oppermann

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading →

Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings | Tagged | 1 Comment

Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44

Posted on October 11, 2021 by Dominik Rahmer

In my last blog post I already reported on our … Continue reading →

Posted in Brahms, Johannes, Dvořák, Antonín, genesis, Monday Postings, Mozart, Wolfgang Amadeus, Wind Serenade op. 44 (Dvořák), winds | Tagged , , | 1 Comment

Bach’s harpsichord concertos and their autograph

Posted on April 26, 2021 by Norbert Müllemann

If you’re looking for a simple answer to the question … Continue reading →

Posted in Bach, Johann Sebastian, genesis, piano + orchestra | Tagged , | 1 Comment

Beethoven in the “home office” – Composing in the “truly admirable confusion”

Posted on December 7, 2020 by Dominik Rahmer

Beethoven Year 2020 is coming to an end, and there … Continue reading →

Posted in Beethoven, Ludwig van, genesis, Monday Postings | Tagged | 1 Comment

From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata

Posted on October 15, 2018 by Norbert Müllemann

Many Urtext editions and their sources cross the desk of … Continue reading →

Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar) | Tagged , | 2 Comments

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2

Posted on September 18, 2017 by Norbert Gertsch

In the first part of my blog on the famous … Continue reading →

Posted in Beethoven, Ludwig van, genesis, Monday Postings, piano solo, Piano Sonata op. 7 (Beethoven), Piano Sonata op. 90 (Beethoven) | Tagged , , | Leave a comment

An amusing story and a serious problem – On Mendelssohn’s first concert piece for clarinet, basset horn and piano

Posted on April 13, 2015 by Peter Jost

For composers, commissions or dedications of works could pay off, … Continue reading →

Posted in autograph, Concert Piece op. 113 (Mendelssohn Bartholdy), first edition, genesis, Mendelssohn Bartholdy, Felix, Monday Postings, piano + clarinet + basset horn, variant reading | Tagged , , | Leave a comment

Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”

Posted on June 24, 2014 by Dominik Rahmer

Looking at the topics of the by now more than … Continue reading →

Posted in first edition, genesis, Monday Postings, piano + voice, Rachmaninoff, Sergei, Vocalise op. 34 Nr. 14 (Rachmaninoff) | Tagged , , , , | 10 Comments

‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?

Posted on November 11, 2013 by Peter Jost

In connection with the general blog post by Dominik Rahmer … Continue reading →

Posted in Franck, César, genesis, Martha Argerich, Mischa Maisky, Monday Postings, piano + violin, piano + violoncello, versions, Violin Sonata (Franck) | Tagged , , , | 2 Comments

Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?

Posted on October 14, 2013 by gast

As noted in the Preface to the Henle edition of … Continue reading →

Posted in genesis, Monday Postings, piano + violin, Scherzo-Tarantella op. 16 (Wieniawski), versions, Wieniawski, Henryk | Tagged , , , | 4 Comments