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- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Category Archives: notation
Attention to small details: Elgar’s notation as expression
Preparing a new edition of a work that has been … Continue reading
Spring Cleaning – new setup guidelines at the Henle house
You ought to underline today’s date in the calendar in … Continue reading
Posted in G. Henle Publishers, Monday Postings, notation, Reger, Max, Violin
Tagged notation, parts, Reger
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‘Come sopra’ – clearly ambiguous!
The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading
Brahms’s ‘Hungarian Dances’ – new finds in old sources
In 2011 the Brahms researcher Michael Struck made a striking … Continue reading
Posted in articulation, Brahms, Johannes, Hungarian Dances (Brahms), Monday Postings, notation, piano solo
Tagged Brahms, interpretation, notation, piano
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Piano Trio Question: Why really are pianists ‘allowed’ to play from the score, but not string players? And since when?
Notice: There’s a prize question at the end of this … Continue reading
Posted in Monday Postings, notation, piano trio
Tagged Beethoven, Haydn, Mozart, parts, Piano Trio, score
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The crux of sharp or flat: Just enough cautionary accidentals? or are extras o.k., too?
Our editorial department is always receiving queries from users requesting … Continue reading
‘Play it again’ – is a repeat sign missing in Brahms’ Paganini Variations?
Some time ago we received an interesting query from a … Continue reading
Posted in autograph, Brahms, Johannes, first edition, Monday Postings, notation, Paganini Variations op. 35 (Brahms), piano solo
Tagged Brahms, notation, Paganini, piano, repeat, variation
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Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?
Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading
Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin
Tagged Berceuse, Fauré, harmonics, notation, variants
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