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Category Archives: Urtext
A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
In spring 2024, a new work by Frédéric Chopin was … Continue reading
Posted in autograph, Chopin, Frédéric, Lang Lang, Monday Postings, new source, piano solo, Urtext
Tagged autograph, Chopin, piano, rediscovery, Waltz
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The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
For me, this Arnold Schönberg quotation expresses the composer’s attitude … Continue reading
Posted in Monday Postings, notation, piano solo, Schoenberg, Arnold, Urtext
Tagged personal copy, piano solo, Schönberg, urtext
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Once again, a tight squeeze – the joy and sorrow of the Urtext cover
If you quickly want to describe a Henle edition, one … Continue reading
Posted in G. Henle Publishers, Monday Postings, Urtext
Tagged Cover, G. Henle Publishers history, Layout
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Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
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Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
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How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading