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Category Archives: Urtext
“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
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Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
1 Comment
How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
40 or 42? Rodolphe Kreutzer’s Etudes as Urtext edition
There could not be a bigger difference: When you are … Continue reading
Posted in 40 Etudes ou Caprices (Kreutzer), Kreutzer, Rodolphe, Monday Postings, Urtext, Violin
Tagged Kreutzer, violin
6 Comments
Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”
Needless to say, every editor of an Urtext edition wishes … Continue reading
Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext
Tagged Debussy, Masques, sources
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Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading
Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext
Tagged Debussy, urtext
1 Comment
No error in the system. In praise of our proofreaders
Today’s blog post is not for once going to be … Continue reading
Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview
Editing a Beethoven work solely on the basis of a … Continue reading
Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext
Tagged Beethoven, Piano Sonatas, sources
1 Comment
“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio from the String Quartet K. 465/iii
When the composer’s autograph manuscript of a music work is … Continue reading