Search
Subscribe2
-
Recent Posts
- ‘Free, but lonely’ – an extraordinary sonata and its new edition
- A difficult case: Chopin’s b-minor sonata op. 58 in Urtext
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
Tags
accent accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak facsimile Fauré first edition genesis Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano sonata Préludes Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variants variations versions viola Violin Sonata
Category Archives: Piano Sonata op. 106 (Beethoven)
Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas
It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading
Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas
Here’s a topic that pianists have been discussing since the … Continue reading
Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range
Tagged Beethoven, Murray Perahia, piano sonata, Sonata
15 Comments