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- Rostropovich and Atovmyan – the two midwives of Prokofiev’s Cello Sonata op. 119
- A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
- Debussy and Ravel – Aspects of a difficult relationship
- Schubert’s “Serenade” on its way through Europe
- “It ended up being quite substantial” – on Sergei Prokofiev’s 2nd violin sonata op. 94a
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Tag Archives: autograph
A minor sensation: Chopin’s recently discovered a-minor waltz. Interview with Jeffrey Kallberg
In spring 2024, a new work by Frédéric Chopin was … Continue reading
Posted in autograph, Chopin, Frédéric, Lang Lang, Monday Postings, new source, piano solo, Urtext
Tagged autograph, Chopin, piano, rediscovery, Waltz
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A wonderful little devilry to start with
When you’re new to an enterprise, it’s very agreeable when … Continue reading
The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading