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Tag Archives: autograph
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading
Further new findings on the autograph of Mozart’s Piano Sonata in A major K. 331
Regular readers of the Henle blog will recollect: My last … Continue reading
Best until… How long does an accidental last?
Today’s musicians tend to react to the above question with … Continue reading
Posted in Bach, Johann Sebastian, flute solo, Flute Sonata BWV 1030 (J.S. Bach), Monday Postings, notation
Tagged accidentals, autograph, Bach, BWV 1030, flute sonata, HN 269, HN 64, inventions
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Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner
Some time ago we had previously devoted a blog post … Continue reading
Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert
Schubert did not live to see the publication of his … Continue reading
A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13
Autograph manuscripts of musical works have an aura all their … Continue reading
Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré)
Tagged autograph, Fauré, Violin Sonata
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