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Difficulty (Explanation)
Other titles of this difficulty
Piano Concerto no. 3 d minor op. 30
9 difficult

About the Composer

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Sergej Rachmaninow

Composer and pianist who continued and expanded the late-Romantic tradition; he prepared the way for Prokofiev and Shostakovich. His oeuvre comprises orchestral works, piano pieces, choral works, several operas, and numerous songs.

1873Born in Semyonovo on April 1. From 1880 receives professional instruction in music.
1885–92Studies music at the Moscow Conservatory.
1890–92Piano Concerto No. 1 in F-sharp minor, Op. 1, with the diminished fourth in the main theme typical of his style.
1892Successful performance of his one-act opera “Aleko” (a graduation work). Prelude in C-sharp minor for piano.
1897Unsuccessful premiere of the Symphony No. 1, Op. 13 (with abrupt contrasts). First experiences as an opera conductor at Moscow’s Mamontov Theater. He becomes acquainted with Fyodor Shalyapin, later his friend.
1900/01Composition of the Piano Concerto No. 2 in C minor, Op. 18, in a modified style (broad melodic arcs, transparent compositional style).
1904–06Appointed conductor at the Bolshoi Theater in Moscow.
1906Premieres of the operas “The Miserly Knight,” Op. 24, and “Francesca da Rimini,” Op. 25.
1907Symphony No. 2 in E minor, Op. 27, with whimsical figuration in the woodwinds; Piano Sonata No. 1 in D minor, Op. 28.
1909Piano Concerto No. 3 in D minor, Op. 30; symphonic poem “The Isle of the Dead,” Op. 29
from 1910More complex compositional technique (enhanced polyphony, ambiguous harmonies, fast rhythmic alterations) in Thirteen Preludes for piano, Op. 32; “Études-tableaux,” Op. 33 (1911); Fourteen Songs, Op. 34 (1910–16).
1917Rachmaninoff leaves Russia and lives in Stockholm, Copenhagen, the United States (career as pianist), and Switzerland.
1926/41Piano Concerto No. 4 in G minor, Op. 40. In 1935/36, Symphony No. 3 in A minor, Op. 44.
from 1939He emigrates permanently to the United States.
1943Death in Beverly Hills on March 28.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

About the Authors

Dominik Rahmer (Editor)

Dr. Dominik Rahmer, born in 1971 in Mainz, studied musicology, philosophy and maths in Bonn. He did his Magister Artium in 1999 and his doctorate in 2006 with a thesis on the music criticism of Paul Dukas.

From 2001 to 2011 he was employed at Boosey & Hawkes/Bote & Bock in Berlin, where he also worked on the Critical Edition of the Works of Jacques Offenbach (OEK). Since 2011 he has been an editor at G. Henle Publishers in Munich, with a particular focus on French and Russian music and works for wind instruments.

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Johannes Umbreit (Piano reduction)

Prof. Johannes Umbreit studied the piano at the Musikhochschule in Munich. From 1987 onwards he was a regular accompanist at courses given by Wolfgang Schneiderhan, Thomas Brandis, Ljerko Spiller, Igor Ozim, Olga Woitowa, Ernő Sebestyén, Walter Nothas, F. Andrejevsky, Denis Zsigmondy and Zakhar Bron amongst others. He has appeared in numerous radio and TV broadcasts and plays chamber music with members of the Bavarian State Orchestra, the Munich Philharmonic Orchestra and the Bavarian Radio Symphony Orchestra.

He is on the jury of different international competitions and has been invited to several international music festivals. Umbreit was a teacher for almost ten years at the Musikhochschule in Munich and at the same time a lecturer for chamber music and piano accompaniment at the Richard Strauss Conservatory. Since 2008 he has been a lecturer at the Hochschule für Musik und Theater München. As the long-serving managing director of the Richard-Strauss-Gesellschaft, he was made an honorary member of the board in 2009. In May 2011, the Bavarian Minister of Culture appointed Johannes Umbreit an honorary professor of the Hochschule für Musik und Theater München on the suggestion of its academic senate.

 

Marc-André Hamelin (Fingering)

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