

Claude Debussy
Violoncello Sonata d minor
It was only with his late works that Debussy, an unconventional innovator, turned back to tradition. In 1915 he had six sonatas for various instruments in mind. He was only to complete three of them before his death in 1918, following a severe illness. The first of these was the Cello Sonata that he composed unusually quickly in 1915. During his summer holiday by the sea in Pourville, Debussy worked at great speed. The sonata, with an unusual sequence of movements Prologue-Sérénade-Finale, was published in that same year. The work belongs to the cellist’s core repertoire.
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About the Composer

Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
About the Authors

Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Klaus Schilde (Fingering Piano)
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he
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Die nach dem Autograph und der Erstausgabe von Ernst-Günter Heinemann erstellte Urtext-Ausgabe mit den Strichbezeichnungen und Fingersätzen von Reiner Ginzel und Klaus Schilde macht das 1969 bei Peters erschienene und heute vergriffene Werk in einer neuen, übersichtlich und praxisnah gedruckten Form wieder zugänglich.
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Further editions of this title
Further editions of this title