

Wolfgang Amadeus Mozart
Andante C major K. 315 for Flute and Orchestra
This much-beloved flute piece is probably an alternative slow movement for Mozart’s Flute Concerto in G major, and in its version with piano accompaniment it is indispensable to today’s flute teaching and to home music-making. This is undoubtedly due to the broad, sweeping cantilenas of the flute part, which, moreover, can easily be mastered by students; note the piece’s low level of difficulty (3).
Content/Details
About the Composer

Wolfgang Amadeus Mozart
Mozart is one of the few composers to have produced masterpieces in all genres. On the concert tours he undertook in his early years (London, Mannheim, Italy, Paris) he gained many varied musical impressions that he assimilated in his youth and which formed the prerequisite for his later consummate musical language.
About the Authors

Henrik Wiese (Editor)
As part of his editorial work for G. Henle Publishers, studying sources led him to historical performance practice and the transverse flute. He plays this instrument with the Accademia giocosa. Wiese gives master-classes around the world and tries to impart an understanding of how to deal with edi

Jan Philip Schulze (Piano reduction)
As a lied accompanist he has regularly given concerts with Juliane Banse, Annette Dasch, Rachel Harnisch, Dietrich Henschel, Jonas Kaufmann and Violeta Urmana; performing in the Berlin Philharmonic Hall, the London Wigmore Hall, the Salle Pleyel in Paris, the Auditorio Nacional in Madrid, in Tokyo, at La Scala in Milan, as well as at the festivals in Lucerne, Salzburg, Edinburgh, Munich and Schwarzenberg. Schulze is also interested in contemporary music, and has, for example recorded all of Hans Werner Henze’s Works for Piano, as well as given premi

Robert D. Levin (Cadenzas)
Product Safety Informations (GPSR)

G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Les éditions Henle sortent une nouvelle collection comprenant les grandes pages de la musique concertante du répertoire avec la partie orchestrale réduite à un piano. ... Cette collection comporte les doigtés pour la partie soliste, une présentation claire (avec un effort particulier concernant les tournes) ainsi qu'une introduction trilingue.
Ecouter voirFinalemente anche la grandi case dell'editoria musicale si stanno accorgendo dell'importanza del repertorio Flautistico, così anche la Henle Verlag, la grande casa editrice di Monaco, un punto di riferimento tra le edizioni cosí dette "Urtext", si è lanciata nel mondo del flauto. ... Poco c'è da dire sulla qualità dell'edizione che, come è abituale per la Verlag, è di altissima qualitsà, sia per la leggibilità della parte, la qual cosa non è assolutamente di secondaria importanza, sia per la cura dell'edizione critica che segue i più severi dettami di un'edizione critica: estrema attendibilità verso l'autografo e la prima edizione, ...
FaLaUtDie Kadenz wurde von Robert D. Levin im Mozartstil verfasst. Auch hier ist das Notenbild sehr klar und übersichtlich.
Flöte aktuellL'édition, comme toujours chez la firme Henle, est extrêmement soignée et d'une clarté exemplaire. ... Enfin, les cadences sont proposées par Robert Levin dans une conception didactique intéressante. Elles sont de dimensions un peu plus restreintes que les grandes cadences (Rampal, Marion, Taffanel ...) auxquelles nombre d'entre nous sont habitués, mais elles s'attachent surtout à mettre en valeur des sections typiques d'improvisation, instruisant ainsi l'interprète sur les cellules mélodiques et rythmiques à choisir et le traitement à leur apporter. Ces cadences – ou plutôt ces exemples de cadences – sont donc en quelque sorte "à géométrie variable". Il est possible de les construire ou simplement de s'en inspirer à sa guise. La démarche vaut la peine d'être soulignée et contribue à faire de ces éditions un matériel didactique de premier ordre.
La TraversièreDie Ausarbeitung der Klavierpartie durch Jan Philip Schulze (KV 315, 447) und Siegfried Petrenz (KV 219, 313, 314) geben die musikalische Substanz in wünschenswertem Maße wieder, ohne je überfüllt zu wirken oder gar pianistischer Selbstdarstellung zu frönen. ... Robert D. Levin gestaltet technisch anspruchsvolle und stilistisch einfühlsame Soloauftritte. Wer sich als Spieler nicht auf die eigene Improvisationsgabe verlassen will oder kann, der sollte sich getrost dieses Materials bedienen. ... Fazit: Diese "taubenblauen Urtexte" sollten den Weg auf viele Notenpulte finden!
Acta MozartianaI like this Urtext edition of Mozart very much, and the main reason is that the piano reductions are playable and pianistic, unlike some other editions I have in my cupboard! But also the flute parts are cleanly and pleasingly presented. At the back there are some imaginative suggestions for cadenzas by Robert Levin, full of choices and possible cuts and combinations and "lead-ins" ... I would definitely recommend this edition for both teaching and performing - it is unfussy and refreshing.
PAN MagazineBewertung: Empfehlenswert; Die beiden Kadenzvorschläge hat der bekannte Mozart-Rekonstrukteur Robert D. Levin beigesteuert: Durch raffinierte Markierungen entsteht ein Baukastensystem, mit dem sich der Interpret aus den Vorschlägen zahlreiche eigene Versionen der Kadenz zusammenstellen kann - eine ausgezeichnete Idee.
Flöte aktuell, 2009recommendations
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Further editions of this title
Further editions of this title