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Difficulty (Explanation)
Other titles of this difficulty
Andante for Flute and Orchestra C major K. 315
3 easy

About the Composer

Wolfgang Amadeus Mozart

Mozart is one of the few composers to have produced masterpieces in all genres. On the concert tours he undertook in his early years (London, Mannheim, Italy, Paris) he gained many varied musical impressions that he assimilated in his youth and which formed the prerequisite for his later consummate musical language.

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About the Authors

Henrik Wiese (Editor)

Henrik Wiese was born in 1971 in Vienna. He first studied the flute with Paul Meisen (Munich). He later took a degree in Indo-European studies, general linguistics and musicology. From 1995 to 2006 he was solo flautist at the Bavarian State Opera (Munich), since 2006 he has held the same position with the Bavarian Radio Symphony Orchestra. Wiese was a prize-winner at the German Music Competition (1995) and at several international flute competitions (including the ARD Music Competition in 2000).

As part of his editorial work for G. Henle Publishers, studying sources led him to historical performance practice and the transverse flute. He plays this instrument with the Accademia giocosa. Wiese gives master-classes around the world and tries to impart an understanding of how to deal with edi
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Jan Philip Schulze (Piano reduction)

Prof. Jan Philip Schulze received his piano education at the Musikhochschule in Munich and at the Tschaikovsky Conservatory in Moscow. He began his varied international career by winning awards at competitions in Italy, Spain and South Africa.

As a lied accompanist he has regularly given concerts with Juliane Banse, Annette Dasch, Rachel Harnisch, Dietrich Henschel, Jonas Kaufmann and Violeta Urmana; performing in the Berlin Philharmonic Hall, the London Wigmore Hall, the Salle Pleyel in Paris, the Auditorio Nacional in Madrid, in Tokyo, at La Scala in Milan, as well as at the festivals in Lucerne, Salzburg, Edinburgh, Munich and Schwarzenberg. Schulze is also interested in contemporary music, and has, for example recorded all of Hans Werner Henze’s Works for Piano, as well as given premi
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Robert D. Levin (Cadenzas)

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

Les éditions Henle sortent une nouvelle collection comprenant les grandes pages de la musique concertante du répertoire avec la partie orchestrale réduite à un piano. ... Cette collection comporte les doigtés pour la partie soliste, une présentation claire (avec un effort particulier concernant les tournes) ainsi qu'une introduction trilingue.

Ecouter voir

Finalemente anche la grandi case dell'editoria musicale si stanno accorgendo dell'importanza del repertorio Flautistico, così anche la Henle Verlag, la grande casa editrice di Monaco, un punto di riferimento tra le edizioni cosí dette "Urtext", si è lanciata nel mondo del flauto. ... Poco c'è da dire sulla qualità dell'edizione che, come è abituale per la Verlag, è di altissima qualitsà, sia per la leggibilità della parte, la qual cosa non è assolutamente di secondaria importanza, sia per la cura dell'edizione critica che segue i più severi dettami di un'edizione critica: estrema attendibilità verso l'autografo e la prima edizione, ...

FaLaUt

Die Kadenz wurde von Robert D. Levin im Mozartstil verfasst. Auch hier ist das Notenbild sehr klar und übersichtlich.

Flöte aktuell

L'édition, comme toujours chez la firme Henle, est extrêmement soignée et d'une clarté exemplaire. ... Enfin, les cadences sont proposées par Robert Levin dans une conception didactique intéressante. Elles sont de dimensions un peu plus restreintes que les grandes cadences (Rampal, Marion, Taffanel ...) auxquelles nombre d'entre nous sont habitués, mais elles s'attachent surtout à mettre en valeur des sections typiques d'improvisation, instruisant ainsi l'interprète sur les cellules mélodiques et rythmiques à choisir et le traitement à leur apporter. Ces cadences – ou plutôt ces exemples de cadences – sont donc en quelque sorte "à géométrie variable". Il est possible de les construire ou simplement de s'en inspirer à sa guise. La démarche vaut la peine d'être soulignée et contribue à faire de ces éditions un matériel didactique de premier ordre.

La Traversière

Die Ausarbeitung der Klavierpartie durch Jan Philip Schulze (KV 315, 447) und Siegfried Petrenz (KV 219, 313, 314) geben die musikalische Substanz in wünschenswertem Maße wieder, ohne je überfüllt zu wirken oder gar pianistischer Selbstdarstellung zu frönen. ... Robert D. Levin gestaltet technisch anspruchsvolle und stilistisch einfühlsame Soloauftritte. Wer sich als Spieler nicht auf die eigene Improvisationsgabe verlassen will oder kann, der sollte sich getrost dieses Materials bedienen. ... Fazit: Diese "taubenblauen Urtexte" sollten den Weg auf viele Notenpulte finden!

Acta Mozartiana

I like this Urtext edition of Mozart very much, and the main reason is that the piano reductions are playable and pianistic, unlike some other editions I have in my cupboard! But also the flute parts are cleanly and pleasingly presented. At the back there are some imaginative suggestions for cadenzas by Robert Levin, full of choices and possible cuts and combinations and "lead-ins" ... I would definitely recommend this edition for both teaching and performing - it is unfussy and refreshing.

PAN Magazine

Bewertung: Empfehlenswert; Die beiden Kadenzvorschläge hat der bekannte Mozart-Rekonstrukteur Robert D. Levin beigesteuert: Durch raffinierte Markierungen entsteht ein Baukastensystem, mit dem sich der Interpret aus den Vorschlägen zahlreiche eigene Versionen der Kadenz zusammenstellen kann - eine ausgezeichnete Idee.

Flöte aktuell, 2009

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