Carl Maria von Weber
Clarinet Concerto no. 2 E flat major op. 74
Now the Concertino and the First Clarinet Concerto are about to be followed by Weber’s Second Concerto in E-flat major, edited by Norbert Gertsch. Once again, the piano reduction contrasts the original solo part with the widely known version by Carl Bärmann (both parts are separately enclosed). The accompanying preface offers a detailed explanation of the importance of both versions and how they interrelate.
About the Composer
Carl Maria von Weber
One of the most important German opera composers before Wagner, he advocated for a German opera through his own output and in his writings. His fame is predicated on “Der Freischütz,” which was received emphatically as a German nationalist opera. His instrumental works (orchestral pieces, solo concerti, chamber music, piano works) are largely based on Classical models though already anticipate the Romantic sound.
About the Authors
Norbert Gertsch (Editor)
In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing
Johannes Umbreit (Piano reduction)
He is on the jury of different international competitions and has been invited to several international music festivals. Umbreit was a teacher for almost ten years at the Musikhochschule in Munich and at the same time a lecturer for chamber music and piano accompaniment at the Richa
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Further editions of this title
Further editions of this title
