

George Gershwin
Concerto in F
Gershwin’s Concerto was premiered on December 3, 1925, in Carnegie Hall – the epicentre of New York’s classical music scene. It belongs to a group of self-imposed “experiments” with which the composter sought to make inroads into “serious” music: “I have only written three ‘opuses’ so far – ‘The Blue Monday Opera,’ ‘The Rhapsody in Blue’ and the ‘Concerto.’ I have devoted much time to these works, but they are, of course, not my regular work. They are experiments – laboratory work in American music.” For his edition, Norbert Gertsch reviewed a multitude of autograph and printed sources in the USA and for the first time presents an Urtext edition of this very popular piano concerto suffused by the jazz idiom. At the same time, Breitkopf & Härtel offers both the full score and orchestral parts by the same editor.
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About the Composer

George Gershwin
The most successful composer of musicals in the 1920s, he wrote 28 musicals, largely to lyrics by his brother Ira, and more than 500 songs (including for 23 musicals by others). His fame today is based on his symphonic works and his opera “Porgy and Bess.”
About the Authors

Norbert Gertsch (Editor)
In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing

Johannes Umbreit (Piano reduction)
He is on the jury of different international competitions and has been invited to several international music festivals. Umbreit was a teacher for almost ten years at the Musikhochschule in Munich and at the same time a lecturer for chamber music and piano accompaniment at the Richa

Markus Bellheim (Fingering)
Product Safety Informations (GPSR)

G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Gegeven die complexe situatie heeft Henle deze uitgave toch vrij beknopt toegelicht. (...) Bladspiegel en druk voldoen aan de hoge kwaliteitsstandaard die we van Henle gewend zijn.
de nieuwe muze, 2021Norbert Gertsch signe une nouvelle copie de haute qualité basée sur la partition autographe utilisée pour une série de concerts en 1942 et crayonnée notamment par l’auteur. Gertsch décide ici d’y préciser toutes ces annotations, laissant le choix aux artistes de les suivre ou non.
Crescendo, 2022Der Henle-Verlag gehört erfreulicherweise zu den wenigen Verlagen, die auch seit der Einführung des digitalen Notensatzes weiterhin auf die Ästhetik der Notenschrift Wert legen. So ist fast kein Unterschied zu einem handgestochenen Notensatz zu erkennen. Der von Markus Bellheim beigesteuerte Fingersatz ist durchaus empfehlenswert und wird auch professionellen Pianisten einiges an Zeit und Mühe ersparen. Die Textänderungen gegenüber der New World Music Ausgabe sind marginal. Druckfehler konnte ich in letzterer nicht entdecken. Die vorliegende Ausgabe ist in jeder Hinsicht empfehlenswert.
Die Tonkunst, 2022recommendations
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Further editions of this title
Further editions of this title
Orchestral material from Breitkopf & Härtel