Wolfgang Amadeus Mozart
Horn Quintet E flat major K. 407 (386c)
We not only owe three of Mozart’s horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him.
Instead of having two violins, the accompanying string quartet has two violas, which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the “Abduction from the Seraglio” allow us to suppose that it was composed around the same time as the Singspiel. As the autograph is missing, this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondary sources, affording important insights into Mozart’s intentions.
About the Composer
Wolfgang Amadeus Mozart
Mozart is one of the few composers to have produced masterpieces in all genres. On the concert tours he undertook in his early years (London, Mannheim, Italy, Paris) he gained many varied musical impressions that he assimilated in his youth and which formed the prerequisite for his later consummate musical language.
About the Authors
Norbert Müllemann (Editor)
Dr. Norbert Müllemann, born in 1976 in Cologne, studied musicology, German philology and philosophy at the University of Cologne whilst at the same time studying the piano at the Music Conservatory in Cologne.
In 2004 he began working at G. Henle Publishers as an intern. In 2005 he became a junior editor, whilst at the same time starting his doctorate at the Ludwig-Maximilians-Universität in Munich. He completed it in 2008 with a thesis entitled “Handschriften Frédéric Chopins bis 1830. Studien zur Authentizität, Datierung und Werkgenese”. Since 2008 Müllemann has been an editor at the publishing house, becoming editor-in-chief in 2017 and Head of Publishing in 2024. He has edited numerous Urtext editions for the publisher with a particular focus on the works of Frédéric Chopin.
Henrik Wiese (Editor)
As part of his editorial work for G. Henle Publishers, studying sources led him to historical performance practice and the transverse flute. He plays this instrument with the Accademia giocosa. Wiese gives master-classes around the world and tries to impart an understanding of how to deal with edi
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Further editions of this title
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