

Ludwig van Beethoven
Piano Sonata no. 28 A major op. 101
The Piano Sonata op. 101 marks the transition to Beethoven’s late works. The composer’s increasing deafness was already manifesting itself in such a marked way that he no longer dared to appear publicly as a pianist. In this sonata he experimented with unusual harmonies, broke with form, gave detailed German headings for the movements, and for the first time also used a note so “unheard of” that it was not even on most of the contemporary pianos: the low counter E. The editors have undertaken a thorough revision of our edition and our catalogue now offers a single edition of this sonata.
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About the Composer

Ludwig van Beethoven
No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.
About the Authors

Murray Perahia (Editor, Fingering)

Norbert Gertsch (Editor)
In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing
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G. Henle Verlag
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The clear presentation of the music makes this edition a pleasure to perform from. … One looks forward to the appearance of more of the Gertsch/Perahia Beethoven editions.
Arietta, 2007Naast de nieuwe Urtext publiceerde Henle in 1998 een facsimile (HN 3211). Opus 101: een grootse triomf, prachtig verzorgd uitgegeven.
Pianowereld, 2007recommendations
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Further editions of this title
Further editions of this title