

Robert Schumann
Song Cycle op. 24
Schumann was the first to set a complete cycle of Heinrich Heine’s poems to music. His literary “forks of lightning” had already fascinated Schumann when he was 17 years old. However, he only wrote opus 24 in 1840, in his “year of song”, choosing to set a cycle of poems from the “Buch der Lieder”. He wrote the following to his fiancée: “Ah, Clara, what bliss it is to write for the voice”. This enthusiasm is reflected in each of the nine songs.
At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann; the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.
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About the Composer

Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
About the Authors

Kazuko Ozawa (Editor)
Kazuko Ozawa, born in 1954 in Mishima, Japan, studied at the Tokyo University of the Arts between 1973 and 1979, doing her MA on Schumann’s Scenes from Faust in the Musicology Department. From 1979 onwards she continued her studies at the University of Bonn, earning her doctorate with a thesis entitled “Quellenstudien zu Robert Schumanns Liedern nach Adelbert von Chamisso”.
She works as a freelance musicologist and is an external editor for the New Robert Schumann Complete Edition.
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Further editions of this title
Further editions of this title