

Johannes Brahms
Symphonies no. 1 and 2, Arrangement for Piano Four-hands
In the 19th century, arrangements for piano four-hands were usually versions which people played at home if the works could not be heard in concert. In cases such as these Brahms did not, however, just make functional versions but creatively transcribed his works for the piano.
As the composer he allowed himself greater freedom than arrangers for publishers did. In this form his arrangements greatly contributed to the success of his works in musical life in the 19th century. It is on account of their creativity that Brahms’ arrangements have attracted new interest in musical circles over the last few decades. Our Urtext edition of the Symphonies nos. 1 and 2 for piano four hands offers a scholarly musical text following the recently published volume in the Brahms Complete Edition.
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About the Composer

Johannes Brahms
His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.
About the Authors

Robert Pascall (Editor)
Until his death he was Honorary Professor of Music Philology at the University of Cambridge. He acted as Vice-chair of the new Complete Brahms Edition from its inception in 1991 and was then a member of its Beirat. He edited the symphonies for this edition, including Brahms’s own arrangements of them for piano duet, and advised conductors and orchestras on historically informed performance of Brahms’s music. He was President of the Society for Music Analysis 1996-2000, an

Andreas Groethuysen (Fingering)
Prof. Andreas Groethuysen, born in 1956 in Munich, studied music with Ludwig Hoffmann in Munich and, on a scholarship from the “Studienstiftung des Deutschen Volkes”, with Peter Feuchtwanger in London.
After several years as a soloist, Groethuysen formed a piano duo with Yaara Tal, which has now become the focus of his artistic work. The duo regularly performs in many European countries, in Israel, China, North and South America. In exclusive cooperation with SONY CLASSICAL the internationally acclaimed piano duo has released a great many CDs – 28 to date – almost all of which have been awarded prizes.
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G. Henle Verlag
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Het is een genot om uit de prachtig overzichtelijke Urtext van Henle te spelen.
Pianowereld, 2012Not surprisingly, it does not include absolutely all the orchestral parts but does make a coherent piece of piano music and is very rewarding for advanced students to play.
EPTA Piano Journal, 2011recommendations
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