Johannes Brahms
Waltzes op. 39
Brahms’ Hungarian Dances count on brilliant and spirited virtuosity whereas his 16 Waltzes op. 39 are more modest and intimate. Yet they are just as haunting – who isn’t familiar with the gently rocking melody of no. 15 that is one of Brahms’ best-known musical ideas? His publisher must have had an inkling of the success of this collection, as shortly after its publication in its original version for piano four hands in 1866, he asked the composer for a version for piano solo. We are now publishing it in a revised edition, based on the musical text of the new Brahms Complete Edition.
About the Composer
Johannes Brahms
His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.
About the Authors
Rolf Koenen (Fingering)
As a pupil, Prof. Rolf Koenen, born in 1946 in Duisburg, had already had contact with Ewald Zimmermann, the first editor at the young publishing house. He studied the piano at the Folkwangschule in Essen with Detlef Kraus, with Ludwig Hoffmann in Munich and with Maria Tipo in Florence.
He gave concerts in a permanent duo partnership with Hansjörg Schellenberger, who was later to become the solo oboe player with the Berlin Philharmonic, and made several recordings with the Deutsche Grammophon-Gesellschaft, with Denon and Sony. Other chamber music partners included András Adorján, Stefan Dohr, Wolfgang Schulz, Claes H. Ahnsjö. Following a teaching position in Munich, Rolf Koenen was appointed as a professor at the Berlin University of the Arts in 1982.
Product Safety Informations (GPSR)
G. Henle Verlag
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Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
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Further editions of this title
Further editions of this title
