Johannes Brahms
Piano Quintet f minor op. 34
Parts, Urtext Edition, paperbound
Piano Quintets
Pages 131 (VI+77+15+11+11+11),
Size 23,5 x 31,0 cm
Weight 547 g
HN 251
·
ISMN 979-0-2018-0251-0
Further editions of this title
Johannes Brahms’s Piano Quintet is not only one of the mightiest works in its genre but a climax in his chamber music œuvre. This new volume adopts the definitive text from the New Complete Edition of Brahms’s Works.
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About the Composer
Johannes Brahms
His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.
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About the Authors
Michael Struck (Editor)
Dr. Michael Struck, born in 1952 in Hannover, studied school music, private music teaching, piano (diploma, class of Werner Schröter), musicology (Constantin Floros) and pedagogy at the music conservatory in Hamburg and at Hamburg University. In 1984 he completed his doctorate with a thesis on Schumann’s controversial late instrumental works.
He is a research associate at the research centre the new “Johannes Brahms Complete Edition” at Kiel University (member of the editorial board), as well as editor and supervisor of numerous volumes. He is the author of many musicological publications on music of the 18th to 20th centuries and other work editions. Struck is also a music critic. As a pianist he has given concerts with the vocal ensemble of Kiel University as well as with the Wiesbaden
He is a research associate at the research centre the new “Johannes Brahms Complete Edition” at Kiel University (member of the editorial board), as well as editor and supervisor of numerous volumes. He is the author of many musicological publications on music of the 18th to 20th centuries and other work editions. Struck is also a music critic. As a pianist he has given concerts with the vocal ensemble of Kiel University as well as with the Wiesbaden
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Hans-Martin Theopold (Fingering)
Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,
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Product Safety Informations (GPSR)
G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
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Joseph Haydn
Ser. 15, Vol. 2 | Concertos for Harpsichord or Piano and Orchestra
Editor: Horst Walter
Editor: Bettina Wackernagel
Complete Edition with critical report, clothbound
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Joseph Haydn
Quintet E flat major Hob. XIV:1 for Piano, 2 Horns, Violin and Violoncello
Editor: Wolfgang Stockmeier
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Further editions of this title
Robert Schumann
Piano Quintet E flat major op. 44
Editor: Ernst Herttrich
Urtext Edition, paperbound
HN 355