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Difficulty
(Explanation)
Other titles of this difficulty
Songs without Words op. 19
Song without Words E major op. 19,1
5 medium
Song without Words a minor op. 19,2
5 medium
Song without Words A major op. 19,3
6 medium
Song without Words A major op. 19,4
4 medium
Song without Words f sharp minor op. 19,5
7 difficult
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About the Composer

Felix Mendelssohn Bartholdy

A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.

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About the Authors

Ernst Herttrich (Editor)

Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.

From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.

He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat
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Hans-Martin Theopold (Fingering)

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,
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Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

Trotz des kleinen Formats bleibt die bei Henle gewohnte Qualität erhalten: der Notendruck ist durchgängig sehr gut lesbar und übersichtlich, ein Vorwort (auf Deutsch, Englisch und Französisch) informiert über Werkentstehung und Veröffentlichungen und ein Kritischer Bericht gibt im Anhang Auskunft über die verschiedenen Quellen und Lesarten.

Das Musikinstrument

La succession de ces 48 pièces lyriques libres (plus le Reiterlied) offre au lecteur un champ d'exploration très vaste dans l'imaginaire harmonique et formel inépuisable de Mendelssohn. Tout étudiant en musique ou en musicologie se doit de les avoir étudiées et les Editions Henle leur offrent la possibilité de le faire en toutes circonstances dans un format facilement transportable.

Revue internationale d'études musicales

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