Henriëtte Bosmans
Sonata for Violoncello and Piano
Curtain up for Henriëtte Bosmans! The Sonata for cello and piano written in 1919 by the Dutch composer and pianist is a real discovery: exuberant and singing music in a late Romantic style. Both instruments come into their own; cellist Marix Loevensohn was probably the inspiration for the solo part. Bosmans later had to bear a hard fate; as a Jewess, she was banned from her profession and personally persecuted by the National Socialists. In this Urtext edition of the sonata, numerous errors in the first edition, which was published in 1919, have been corrected for the first time. The edition by G. Henle Publishers was made in collaboration with cellist Raphaela Gromes and pianist Julian Riem, who also recorded this sonata and reveal their fingerings here. A great deal of interesting information about the composer and her work is also presented in the preface by Bosmans expert Helen H. Metzelaar.
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About the Authors

Andreas Pernpeintner (Editor)
Andreas Pernpeintner, born in 1982, read music pedagogy, musicology and history at the Ludwig Maximilian University of Munich (LMU). Expansion of his thesis into the book publication “Klaviertechnik nach Ansgar Janke. Bewegungsoptimierung beim Instrumentalspiel”. In 2012 doctorate in musicology with the thesis “Aloys Georg Fleischmann (1880–1964). Musikalische Mikrogeschichte zwischen Deutschland und Irland”, research stays in Ireland and Great Britain, doctorate on a scholarship from the “Studienstiftung des Deutschen Volkes”. Pernpeintner worked for the “Bayerische Musiker-Lexikon Online”. From 2011 to 2024, he was employed by the “Kritische Ausgabe der Werke von Richard Strauss”, for which he edited all of the composer’s lieder with piano accompaniment. As a music journalist he has written for the newspaper Süddeutsche Zeitung. Since 2024 he has been an editor at G. Henle Publishers with a focus on piano music and works by female composers.
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G. Henle Verlag
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Further editions of this title
Further editions of this title