

Béla Bartók
Suite op. 14
The four-movement Suite op. 14 was composed in 1916 and was one of Bartók’s favourite piano works throughout his life. Unlike in his other works for piano of these years, he did not use any folksong melodies or folkloristic elements here. Instead, he endeavoured to achieve a new, more “abstract”, transparent piano style that forgoes ornament and embellishment. A special feature of this Henle edition is the appendix with an additional Andante movement that was originally intended to come before the Scherzo, but which Bartók removed from the Suite only shortly before its publication in 1918. The Urtext edition of this important work in the concert repertoire follows the musical text of the Bartók Complete Edition. It has been edited by perhaps the most distinguished Bartók scholar in the world today, László Somfai, who has also written the comprehensive introduction to the work, and who offers helpful suggestions regarding its interpretation.
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About the Composer

Béla Bartók
This composer, who numbers among the most important musical figures in the first half of the twentieth century, is known principally for his research into Hungarian folk music, the elements of which he incorporated into his style. His broad oeuvre includes numerous works for orchestra, piano, and chamber ensembles, as well as choral music; songs with piano accompaniment; and an opera.
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Na de eerste publicatie in 1918 bleef Bartók nog jarenlang aan de Suite schaven en slijpen. De Urtext-uitgave van Henle geeft het overzicht van alle veranderingen, inclusief de tabellen met metronoomcijfers en de bijzonderheden van het pedaalgebruik op basis van de aanwijzingen van de componist in diverse publicaties en de opnamen voor His Master`s Voice.
Pianist, 2018Für Pianisten dürften auch László Somfais Ausführungen zur Tempogestaltung von größtem Interesse sein, da der berühmte Bartók-Forscher auch die beiden Aufnahmen des Komponisten aus den Jahren 1927 und 1929 in seine Überlegungen einbezieht.
Piano News, 2018Regular readers won’t be at all surprised to know that I love these new Henle editions. I am of course a particular fan of Bartók’s music, but also a fan of excellent scholarship, and a fan of Henle editions. Here these three combine to deliver an outstanding score.
Pianodao, 2018recommendations
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Further editions of this title
Further editions of this title