

Robert Schumann
Fantasy Pieces op. 73 for Piano and Clarinet
The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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About the Composer

Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
About the Authors

Ernst Herttrich (Editor)
From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.
He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat

Hans-Martin Theopold (Fingering)
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G. Henle Verlag
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The sheer popularity of the Fantasiestücke begs the question whether another edition of these pieces is really necessary, but the quality of the edition under review more than counters such concerns. That the print quality and layout is excellent – sharp and clearly laid out – almost goes without saying. But it is Ernst Herttrich’s exceptional editorial work, preface and comments that really make this edition worthwhile.
Nineteenth-Century Music Review, 2007recommendations
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Further editions of this title
Further editions of this title