Sergei Prokofiev
Piano Sonata no. 7 op. 83
Prokofiev’s Piano Sonatas 6–8 are often referred to as “war sonatas”, since they were composed in Russia during World War II during times of great hardship. As the shortest of the three, no. 7 is entirely focused on the essentials, and is certainly Prokofiev’s most famous piano sonata. Anyone who has heard it will not forget the hasty first movement, marked “Allegro inquieto”, the cantabile theme of the second movement and the relentless pull of the machine-like, thudding finale. The Sonata appeared in print in 1943 and that same year received the Stalin Prize (second category), including prize-money of 50,000 rubles, which was welcomed with great joy in the Prokofiev household. You can also derive joy from Prokofiev’s Seventh Sonata, here critically edited on the basis of all the sources, and produced using Henle’s legendary music engraving. A preface by the world’s most prominent Prokofiev researcher, Simon Morrison, rounds off the edition.
About the Composer
Sergej Prokofjew
Together with Shostakovich, Prokofiev is the Soviet Union’s most important composer. He left behind a wide-ranging oeuvre from the most modern to neo-classically simple works, from propagandistic commissions to compositions that the CPSU rejected as being formalistic.
| 1891 | Prokofiev is born on 23 April in Sontsovka (Ukraine), the son of a farmer. |
| 1904–14 | He studies at the St. Petersburg Conservatory. |
| from 1908 | He is a member of the circle around Serge Diaghilev, who occupies himself intensively with contemporary music. |
| 1911–18 | Avantgarde compositions such as Sarcasms, the Piano Concertos nos. 1 and 2, “Visions fugitives”, “Scythian Suite” are dismissed as being futuristic. |
| 1916–17 | The “Symphonie Classique”, drawing on classical models, brings him international renown. |
| 1918 | Prokofiev leaves the Soviet Union and travels to the USA, where his opera “The Love for Three Oranges” is performed in Chicago, and then travels to Paris in 1922. He enjoys a close cooperation with Diaghilev and writes ballet compositions. |
| 1919–23 | He composes the opera “The Fiery Angel”, which receives its first performance posthumously in Venice in 1954. |
| 1923–25 | The composer continues to develop his avantgarde musical language, for instance in the 2nd Symphony. |
| 1927 | He enjoys a successful concert tour around the Soviet Union. |
| 1929 | “The Gambler” is premiered in Brussels. |
| 1936 | Prokofiev returns to his home country. He writes compositions in line with the cultural ideology of the Soviet Union. He turns towards a simpler music as early as the beginning of the 1930s. “Peter and the Wolf” is composed. |
| 1946 | “The Engagement in the Monastery” is performed in Prague and “War and Peace” in Leningrad. |
| 1948 | He is accused of formalism. |
| 1953 | Prokofiev dies on 5 March in Moscow. |
Product Safety Informations (GPSR)
G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
recommendations
autogenerated_cross_selling
Further editions of this title
Further editions of this title
