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Difficulty (Explanation)
Other titles of this difficulty
Variations sérieuses op. 54
8 difficult

About the Composer

Felix Mendelssohn Bartholdy

A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.

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About the Authors

Hans-Martin Theopold (Fingering)

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,
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Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

In typical fashion, G. Henle Verlag, has published this work that demonstrate and reinforce that this publisher is the yardstick/benchmark for other publishers of classical repertoire. Apart from being Urtext editions, I have not seen better notational type-setting in terms of the clear arrangement of bars on the page, the width of the staves, the sizes of the notes and the quality of the off-white parchment which is always a pleasure to read from -- visual accessibility and integrity are never compromised. Apart from the type-setting; I personally find that the G. Henle Verlag editions are excellent in terms of convenient fingerings that are logically and clearly set out -- again it is a joy not to be overly cluttered with editorial markings. Essential publications for the shelves of any serious performer.

Australian Music Teacher

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