

Claude Debussy
Rhapsody for Alto Saxophone and Orchestra
Our piano reduction is based on the study edition HN 9989 that is being published simultaneously, giving access to Debussy's short score in printed form for the first time. The composer afforded the saxophone few solo entries. Today, in particular in the version with piano accompaniment, it is usual to give the saxophone further melodic sections taken from the orchestra.
For this reason our edition not only includes the original part but also an additional solo part by Daniel Gauthier, professor of classical saxophone at the Music Conservatory in Cologne. It is the first work for saxophone in the Henle catalogue.
Content/Details
About the Composer

Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
About the Authors

Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Daniel Gauthier (Arrangement of part(s))
Product Safety Informations (GPSR)

G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Eine abschliessende Antwort zu der von Debussy unvollendet verlassenen "Baustelle Rhapsodie" erhalten zu wollen, wäre vermessen gewesen. Einige interessante, für die Interpretation bedeutsame Aspekte bringt die von Ernst-Günter Heinemann betreute Ausgabe auf jeden Fall. Pflichtlektüre!
Schweizer Musikzeitung, 2011recommendations
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Further editions of this title
Further editions of this title