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CONTENU/DÉTAILS

Degré de difficulté (Explanation)
Autres titres du même degré de difficulté
Sonate pour piano Sol majeur op. 31,1
8 difficile

CONCERNANT LE COMPOSITEUR

Ludwig van Beethoven

Aucun autre compositeur que Beethoven n’a exercé une influence aussi profonde et durable sur les générations suivantes et ce jusqu’à nos jours. Sa musique instrumentale, en particulier ses symphonies, ont servi de modèle aux œuvres symphoniques du XIXe siècle. tout entier. L’extraordinaire exigence de sa musique et sa relative indépendance en tant qu’artiste libre ont fait de lui, de manière emblématique, le plus grand compositeur de tous les temps.

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About the Authors

Murray Perahia (Doigtés, Editeur)

Norbert Gertsch (Editeur)

Dr. Norbert Gertsch, born in 1967 in Rheinkamp/Moers, studied piano solo at the Mozarteum in Salzburg and read musicology and philosophy at the Paris Lodron University in Salzburg and the Ruperto Carola University Heidelberg on a scholarship from the “Studienstiftung des Deutschen Volkes”. In 1996 he wrote his doctoral thesis on Ludwig van Beethoven’s Missa solemnis (as part of the New Complete Edition) under Ludwig Finscher.

In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing
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Informations sur la sécurité du produit

G. Henle Verlag

Vous trouverez ici des informations sur le fabricant du produit.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Allemagne
info@henle.de
www.henle.com

Twenty years ago, in an article comparing all the available Beethoven piano sonata editions, I judged that the winner of the competition was Henle’s Wallner. Since then, little has surfaced in the way of sources and, barring the sudden appearance of autographs for the early sonatas (or the much-lamented ‘Hammerklavier’ autograph), new editions will be assessed more on judgement than discovery. Seen from this angle, Henle’s new Beethoven edition, though still in its infancy, gives every indication of giving players and scholars a great deal to learn from.

Nineteenth Century, 2006

Es fascinate leer en el prólogo de esta edición crítica de la Sonata Opus 31,1, de Beethoven, la historia de las erratas de esta obra. Lo que sin duda desesperó a Beethoven hasta la furia es hoy una auténtica novela que desenredan cuidadosamente (hasta donde es posible) los editores, Norbert Gertsch y Murray Perahia.

Doce Notas, 2005

De uitgave is een pronkstuk geworden: een uitgebreid en vemakelijk historisch voorwoord, een grondig kritisch commentaar en vingerzettingen van Murray Perahia.

Pianowereld, 2005

Perahia’s edition also differs from the old Henle version because it prints both dashes and staccato dots and the layout is more spacious and user-friendly. With so many sources to choose from, editorial decision-making will always provoke controversy, but Perahia and co-editor Norbert Gertsch’s introductory notes present clear explanations behind their editorial choices … Strongly recommended.

International Piano, 2005

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