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Berceuse D major op. 16
4 medium

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Gabriel Fauré

Representative exponent of French music around 1900. His creative work is centered around the art song, piano music (nocturnes, barcarolles, impromptus, valse-caprice), and chamber music – alongside other genres.

1845Born in Pamiers (Ariège) on May 12, the son of a primary school teacher.
1854–65Attends the École de musique classique et religieuse (founded by L. Niedermeyer), where liturgical musicians were educated; lessons with Saint-Saëns (from 1861).
1866–70Organist at the church of Saint-Sauveur in Rennes.
1871After occupying various organist positions in Paris, he becomes assistant organist to Saint-Saëns at Saint-Sulpice. He numbers among the founding members of the Société nationale de musique. Performances of his works in their concerts.
1874Premiere of his “Suite d’orchestre” in F major (“Symphony No. 1”), which is a compilation of existing pieces.
1875/76Violin Sonata No. 1 in A major, Op. 13.
1876–79Piano Quartet No. 1 in C minor, Op. 15
1877Maître de chapelle at Paris’s Église de la Madeleine.
1876/78Premiere of his choral work “Les Djinns,” Op. 12.
from 1879Attends performances of Wagner’s music; in his own compositions he distances himself from Wagner.
1885Premiere of his Symphony No. 2 in D minor, later destroyed.
1887/88Requiem, Op. 48.
1891“Cinq Mélodies ‘de Venise’,” Op. 58, on texts by Verlaine.
1892–94“La bonne chanson,” Op. 61, on texts by Verlaine.
1896Successor to Dubois at the Madeleine. He conducts a composition class at the Paris Conservatoire.
1900Premiere of the tragédie lyrique “Prométhée,” Op. 82.
1905–20Director of the Conservatoire.
1909President of the Société musicale indépendante.
1913Premiere in Monte Carlo of his opera “Pénélope.”
1919Song cycle, “Mirages,” Op. 113, with clear features of his modernist late style.
1924Death in Paris on November 4.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

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Dominik Rahmer (mws-henle.person.role.HERAUSGEBE)

Dr. Dominik Rahmer, born in 1971 in Mainz, studied musicology, philosophy and maths in Bonn. He did his Magister Artium in 1999 and his doctorate in 2006 with a thesis on the music criticism of Paul Dukas.

From 2001 to 2011 he was employed at Boosey & Hawkes/Bote & Bock in Berlin, where he also worked on the Critical Edition of the Works of Jacques Offenbach (OEK). Since 2011 he has been an editor at G. Henle Publishers in Munich, with a particular focus on French and Russian music and works for wind instruments.

Frank Peter Zimmermann (mws-henle.person.role.FING VIOL)

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