

Joseph Haydn
String Quartets Book V op. 33 (Russian Quartets)
Haydn allowed about ten years to pass before composing a new cycle of string quartets after opus 20: the so-called “Russian Quartets”. This is the first series of quartets that we know he wrote with publication in mind.
“They are in a completely new and special manner”, he wrote in several letters, and he was certainly not just referring to the fact that “Scherzi” replaced the minuets for the first time. Music lovers particularly appreciate the melodic ideas; thus the rich ornamentation of the main motif of op. 33,3, gave the quartet its nickname “Bird Quartet”.
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About the Composer

Joseph Haydn
His immense oeuvre documents the profound changes in music history during the second half of the eighteenth century, leading to the emancipation of instrumental music. His most important genres are the symphony and the string quartet, where he cultivated the technique of motivic-thematic development; he made significant contributions to the instrumental concerto and to piano music; during the last years of his life, he composed his great oratorios. Opera and art song take on a rather subordinate significance.
About the Authors

Georg Feder (Editor)
From 1957 to 1992 Feder worked at the Joseph Haydn-Institut, and was Head of Research there for thirty years. One of the foremost Haydn scholars of his time and an undisputed authority in the field of music philology, he greatly shaped the work of the Institute, especially its work on the Haydn Complete Edition, making a significant contribution towards its global reputation.
54 volumes of the Complete Edition were published unde

Sonja Gerlach (Editor)
Sonja Gerlach was born in Hannover in 1936. She did a secondary school teaching degree (Staatsexamen) in music and mathematics in Berlin. From 1965 to 1999 she was a research associate and editor at the Joseph Haydn-Institut in Cologne. In addition to her work as an editor and researcher she addressed questions concerning the chronology of Haydn’s symphonies. She is also very interested in problems of ascertaining authenticity of works in Haydn’s different genres.
In 2000 she retired and moved to Munich where she now lives.
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G. Henle Verlag
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