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Difficulty (Explanation)
Other titles of this difficulty
Three Piano Pieces op. 11
1. Mäßig
7 difficult
2. Sehr Langsam
6 medium
3. Bewegt
9 difficult

About the Composer

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Arnold Schönberg

The most important composer of the first half of the twentieth century, who with the transition to atonality and twelve-tone technique influenced musical history like no other.

1874Born on 13 September in Vienna. Largely self-taught except for lessons with Alexander Zemlinsky.
1890–94Worked as a bank clerk.
1899String Sextet “Transfigured Night” op. 4 as first mature original piece.
1900–11“Gurrelieder”.
1901–03Conductor in Berlin at Ernst von Wolzogen’s “Überbrettl”.
1903Symphonic poem “Pelleas and Melisande” op. 6. After returning to Vienna, he taught (pupils included Anton Webern and Alban Berg, with whom he formed the Vienna School).
1906Chamber Symphony op. 9 with quartal harmony.
1908/09Shift away from tonality: String Quartet op. 10, Three Piano Pieces op. 11, Five Orchestra Pieces op. 16, monodrama “Erwartung” (Expectations) op. 17 (composed 1909, performed 1924), “Die glückliche Hand” (The Hand of Fate) op. 18.
from 1911Second sojourn in Berlin. “Theory of Harmony”.
1912Melodrama cycle “Pierrot lunaire” op. 21 was a great international success.
1918Founding of the Society for Private Musical Performances in Vienna.
Ca. 1920After a creative crisis, he found his way to twelve-tone technique (Suite for Piano op. 25, 1921–23).
1925Appointed to a professorship at the Prussian Academy of Arts Berlin.
1930Period-piece opera “Von heute auf morgen” (From Today to Tomorrow) op. 32.
1930–32Started work on the opera “Moses and Aaron”.
1933/36Emigrated to the USA, professorship in Los Angeles.
1942“Ode to Napoleon” op. 41, Piano Concerto op. 42.
1947“A Survivor from Warsaw” op. 46.
1951Died on 13 July in Los Angeles.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

Henle’s new editions of these works are exemplary in their scholarship; their editors have returned to original sources, researched the composer’s letters and manuscripts, and compiled scores truer to his intentions than ever. ... The notation engraving has, as expected, Henle’s industry-leading precision and clarity, each volume also benefitting from a useful Preface at the start, and extensive critical commentary at the rear. ... These new editions of the scores from Henle immediately jump to the top of the pile as the edition to own, and can be recommended as such without reservation.

Pianodao, 2022

Editées avec le soin typique de la grande maison munichoise (intéressantes introductions et remarques musicologiques des éditeurs responsables, très bonnes suggestions de doigtés dues à Emanuel Ax, traduction des indications d’exécution et de tempo allemandes en anglais et français adjointe au commentaire, impeccable gravure claire et lisible, beau et solide papier), on peut espérer que ces importantes publications encourageront les pianistes curieux à explorer l’univers expressioniste et atonal des Trois pieces, Op. 11 comme celui des fulgurants aphorismes des Six petites pieces pour piano, Op. 19 qui s’annoncent si clairement ce que fera plus tard Webern.

Crescendo, 2022

Das gründliche Quellenstudium hat sich nicht zuletzt wegen der Tempoangaben gelohnt. Im Unterschied zur alten UE-Edition wartet die Henle-Edition mit genauen Metronomangaben auf, die einem der beiden Handexemplare der Klavierstücke Schönbergs entnommen sind. So hat der Interpret einen genauen Richtwert an der Hand, an dem er sich orientieren kann.

Piano News, 2022

Henle’s presentation is typically polished, and a helpful translation of all the German terms is provided.

Pianist, 2022

Der wichtigste Gewinn von Scheidelers Ausgabe ist, dass sich Veränderungen am Notentext bis in Details nachvollziehen lassen und man damit an der Entstehungsgeschichte des Werkes teilnimmt, man wird auf oft nur feine Unterschiede aufmerksam. Das ist insbesondere für Interpreten hilfreich, denn der Zugang zu den Quellen und ihr Vergleich kosten Mühe und Zeit.

Die Tonkunst, 2022

Peu de différences par rapport aux éditions d’origine qu’avait supervisées et corrigées Schoenberg, mais un regard approfondi sur la multitude de sources, dont une copie d’époque ayant appartenu à Bartók. Dans une telle musique, le moindre détail peut s’avérer essentiel.

La Lettre du Musicien, 2023

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