Carl Reinecke
Undine - Flute Sonata op. 167
From among Reinecke’s abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the sobriquet “Undine”, composed in 1882 and inspired by the eponymous fairy tale by Friedrich de la Motte-Fouqué about the ill-fated love of a mermaid. It is not, however, meant programmatically, but rather, like Schumann’s poetic titles, as a framework of associations for this highly romantic, in places very virtuoso sonata in traditional, four-movement form. As the autograph is lost, the printed editions form the basis for the new critical edition of this sonata, which is solidly anchored in the flute repertoire and is now finally available as a Henle Urtext edition.
About the Authors
Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.
Rolf Koenen (Fingering)
As a pupil, Prof. Rolf Koenen, born in 1946 in Duisburg, had already had contact with Ewald Zimmermann, the first editor at the young publishing house. He studied the piano at the Folkwangschule in Essen with Detlef Kraus, with Ludwig Hoffmann in Munich and with Maria Tipo in Florence.
He gave concerts in a permanent duo partnership with Hansjörg Schellenberger, who was later to become the solo oboe player with the Berlin Philharmonic, and made several recordings with the Deutsche Grammophon-Gesellschaft, with Denon and Sony. Other chamber music partners included András Adorján, Stefan Dohr, Wolfgang Schulz, Claes H. Ahnsjö. Following a teaching position in Munich, Rolf Koenen was appointed as a professor at the Berlin University of the Arts in 1982.
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本书目其他版本
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