

Claude Debussy
Violin Sonata g minor
Debussy had intended to write a cycle comprising six sonatas. However, as he was seriously ill, he was forced to conclude it with the third one. Whereas the Sonata for Cello and Piano and the one for Flute, Viola and Harp were quickly written in 1915, an unusually fruitful compositional year, the violin sonata posed difficulties for the composer in the following year. He struggled with the finale in particular, and was only able to send the work to the publisher Durand in April 1917. Its difficult genesis is soon forgotten when one listens to the resulting work: it displays perfect classicism and is full of life, as the composer himself remarked.
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About the Composer

Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
About the Authors

Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Klaus Schilde (Fingering)
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he

Kurt Guntner (Fingering and bowing for Violin)
Of particular appeal were the BR’s invitations to perform and record gr
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