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Hans-Martin Theopold

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg, 1877–1948). After completing his piano studies (graduating with “very good”) in 1928, he began an active solo career both at home and abroad (USA, Switzerland, Scandinavia, the Baltic states, the Balkans). As a member of the Chamber Music Association of the State Opera in Berlin (from 1933) he also gave countless chamber music concerts, including ones with his violin partner Gustav Havemann (1882–1960).

In the 1930s, audiences and the press alike raved about Theopold’s extraordinary gifts as a pianist: “This young player has it in him to soon become one of the best players in Germany. A superior technique, a wonderful singing piano tone, the strength of a Titan, but not at all hard due to the incomparably gentle elasticity of his touch” [Münchener Zeitung, 21 November 1933]. – “H.M. Theopold gave convincing proof of his splendid pianistic ability in an extremely gripping sonata with a modern idiom by Alban Berg, but predominantly in Schubert’s […] Wanderer Fantasy, which he played with a polished technique and creative power” [Weser-Zeitung, 21 December 1932]. Theopold was awarded several prizes, including the “Grotrian-Steinweg-Preis” in 1928.

In 1937 Theopold became a teacher for the piano (main subject) at the “Bayerisches Staatskonservatorium der Musik” in Würzburg. In 1939 he married Irene Tatjana Wülfing, who was from Moscow. From 1943 he became head of the piano master-class at the “Nordische Musikschule” in Bremen, although this was interrupted by the events of the war. Following his return from a prisoner of war camp, Theopold gave concerts and taught although he did not hold a permanent position. From 1955–1956 he was acting head of the piano master-class at the “Bergisches Landeskonservatorium” in Wuppertal, finally being appointed Professor for Piano on 1 April 1956 at the “Staatliches Institut für Schul- und Volksmusik” in Detmold, later at the “Nordwestdeutsche Musikakademie Detmold” (today “Hochschule für Musik Detmold”), where he taught for decades. On 30 September 1969 he retired. “His students extol his pedagogical gifts. […] Humour, charm, helpfulness and kind-heartedness moderate the strictness of his professional ethos as a musician and teacher” (Lippische Rundschau, 23 April 1969; see also: Lippische Landeszeitung 22 April 1969 on the occasion of Theopold’s 65. birthday: “Prof. Theopold, a modest but at the same time energetic man, is an enthusiastic teacher”). Theopold died in Detmold in 2000.

Contact with Günter Henle was established directly after the publishing house was founded, when Theopold thanked the publishers with great enthusiasm for its first Urtext editions. His extensive correspondence with the publishing house was bequeathed to the Lippische Landesbibliothek in 2014 to ensure its long-term accessibility to the public. The letters testify not only to Theopold’s great interest in musical sources and text questions but also to his initial strict refusal (!) of fingerings in text-critical editions such as these: “For fingerings are and remain something individual no matter what their quality” (letter to Günter Henle from 26 May 1949 {publishing house archives}). Günter Henle was not, however, to be swayed and stressed the necessity of fingerings in his Urtext editions: “It is better to publish the Urtext […] with fingerings that are not necessary for a few individuals, or that might even, I admit, be considered irritating here and there” (letter to Hans-Martin Theopold of 17 September 1953).

It was only in 1955 that Theopold accepted Günter Henle’s offer of contributing fingerings for an Urtext edition that was in the process of being prepared by way of trial. (HN 74, Schubert, Complete Dances for Piano, Volume 1). Following this, Theopold was commissioned to write the fingerings for nearly all of the publishing house’s new editions in quick succession. Günter Henle, himself a good pianist, greatly valued Theopold’s fingerings, and also the many suggestions regarding the musical text in question. In addition, Theopold was always very reliable, thorough and conscientious – something that is not unimportant with editorial work!

Thus to date Hans-Martin Theopold has provided the fingerings for the greatest number of Henle Urtext editions by far – 226 editions (!) in total.

We would like to thank Mrs Margot Theopold and the Hochschule für Musik in Detmold for their great support in providing biographical material.

G. Henle Verlag

Musique facile pour piano - 18e et 19ème s. Volume II
Editeur: Walter Georgii
Edition Urtext, reliure paperback (Collection)
HN 168

18,50 € disponible

18,50 € disponible
Autres éditions de ce titre

14,50 € disponible
Autres éditions de ce titre
Musique facile pour piano · 18e et 19ème s. Volume I
Editeur: Walter Georgii
Edition Urtext, reliure paperback (Collection)
HN 167

17,50 € disponible

17,50 € disponible
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Johann Christian Bach Sonates pour piano, volume I op. 5
Edition Urtext, reliure paperback
HN 332

26,00 € disponible

26,00 € disponible
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Johann Christian Bach Sonates pour piano, volume II op. 17
Edition Urtext, reliure paperback
HN 333

29,50 € disponible

29,50 € disponible
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Johann Sebastian Bach Capriccio sopra la lontananza del fratello dilettissimo en Si bémol majeur BWV 992
Editeur: Georg von Dadelsen
Edition Urtext, reliure paperback
HN 1305

8,00 € disponible

8,00 € disponible
Johann Sebastian Bach Concerto italien, Ouverture française, Quatre duos, Variations Goldberg
Edition Urtext, reliure paperback
HN 129

Variantes de 17,00 €
30,50 € disponible

Variantes de 17,00 €
30,50 € disponible
Johann Sebastian Bach Quatre duos BWV 802-805
Edition Urtext, reliure paperback
HN 161

11,00 € disponible

11,00 € disponible
Johann Sebastian Bach Fantaisies, Préludes et Fugues
Editeur: Georg von Dadelsen
Editeur: Klaus Rönnau
Edition Urtext, reliure paperback
HN 219

36,00 € disponible

36,00 € disponible
Johann Sebastian Bach Ouverture à la française en si mineur BWV 831
Edition Urtext, reliure paperback
HN 1304

10,50 € disponible

10,50 € disponible
Johann Sebastian Bach Six sonates pour violon et clavier (clavecin) BWV 1014-1019
Editeur, Réalisation de la basse continue: Hans Eppstein
Edition Urtext, reliure paperback
HN 223

50,00 € disponible

50,00 € disponible
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Johann Sebastian Bach Sonates pour violon n° 1-3 BWV 1014-1016
Editeur: Hans Eppstein
Edition Urtext, reliure paperback
HN 198

28,00 € disponible

28,00 € disponible
Autres éditions de ce titre
Johann Sebastian Bach Sonates pour violon n° 4-6 BWV 1017-1019
Editeur: Hans Eppstein
Edition Urtext, reliure paperback
HN 199

28,00 € disponible

28,00 € disponible
Autres éditions de ce titre
Johann Sebastian Bach Suites, Sonates, Capriccios, Variations
Editeur: Georg von Dadelsen
Edition Urtext, reliure paperback
HN 262

36,00 € disponible

36,00 € disponible
Johann Sebastian Bach Toccatas BWV 910-916
Edition Urtext, reliure paperback
HN 126

25,00 € disponible

25,00 € disponible
Johann Sebastian Bach Variations Goldberg BWV 988
Edition Urtext, reliure paperback
HN 159

14,50 € disponible

14,50 € disponible
Pièces faciles pour piano Classique et Romantique, volume I
Editeur: Walter Georgii
Edition Urtext, reliure paperback (Collection)
HN 134

16,50 € disponible

16,50 € disponible
Autres éditions de ce titre