Sergei Prokofiev
Sonata in D major op. 94
Even if many violinists consider Prokofiev’s opus 94 as “their” violin sonata: this enchanting work was written for flute! Prokofiev composed it in 1942–43, only subsequently did he make a version for violin (HN 1624), which was premiered in 1944. The great success of this arrangement was probably the reason why the original flute sonata was not published during Prokofiev’s lifetime. Even later, a separate flute part was published merely as a supplement to the violin version. Since then, the flute sonata has only been known in this “mixed form”– which is very problematic in that the piano accompaniment of the two versions differ substantially.
Henle’s source-critical Urtext edition of the flute sonata is based on the autograph preserved in Moscow as well as on the copyist’s manuscript of the flute part of the premiere. It offers for the first time the unadulterated musical text for flute and piano, without later amendments from the violin arrangement. In the preface, Prokofiev specialist Simon Morrison clearly explains the intricate genesis of the sonata.
校訂者や運指担当者について
Dominik Rahmer (校訂)
Dr. Dominik Rahmer, born in 1971 in Mainz, studied musicology, philosophy and maths in Bonn. He did his Magister Artium in 1999 and his doctorate in 2006 with a thesis on the music criticism of Paul Dukas.
From 2001 to 2011 he was employed at Boosey & Hawkes/Bote & Bock in Berlin, where he also worked on the Critical Edition of the Works of Jacques Offenbach (OEK). Since 2011 he has been an editor at G. Henle Publishers in Munich, with a particular focus on French and Russian music and works for wind instruments.