

Claude Debussy
Clair de lune
This piece, probably the young Debussy’s best known piano piece, was the slow third movement of his Suite bergamasque (HN 381) in four movements. Although it is conventional as far as the harmony is concerned, the tonal and melodic details already anticipate Debussy’s later piano style. The suite was only published in 1905, although Debussy had made it clear by adding the date of composition “1890” to the proofs that it was an earlier work. The fact that he agreed to its publication shows that he still identified with this piece from a period whose style he had long since left behind him.
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About the Composer

Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
About the Authors

Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Hans-Martin Theopold (Fingering)
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Further editions of this title
Further editions of this title